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Obituary poetry, in the broad sense, includes poems or elegies that commemorate a person's or group of people's deaths. In its stricter sense, though, it refers to a genre of popular verse or folk poetry that had its greatest popularity in the nineteenth century, especially in the United States of America .
"Because I could not stop for Death" is a lyrical poem by Emily Dickinson first published posthumously in Poems: Series 1 in 1890. Dickinson's work was never authorized to be published, so it is unknown whether "Because I could not stop for Death" was completed or "abandoned". [1] The speaker of Dickinson's poem meets personified Death. Death ...
Kansas native Clare Harner (1909–1977) first published "Immortality" in the December 1934 issue of poetry magazine The Gypsy [1] and was reprinted in their February 1935 issue. It was written shortly after the sudden death of her brother. Harner's poem quickly gained traction as a eulogy and was read at funerals in Kansas and Missouri.
Carson Daly remembered his late mother on the anniversary of her death with a poignant poem he said "really saved" him when he was "in the grip of crippling grief" after losing her.. Carson shared ...
It is a scene of desolation and despair. The wind moans in a grief that cannot be expressed in words; the rain storm billows in vain; the trees are barren and their branches strain under the unceasing onslaught. A gloom pervades the world. A dirge is a song meant to invoke and express the emotions of grief and mourning that are typical of a ...
The next earliest example is by an anonymous author, probably of the 1st century BCE, lamenting the death of Bion; this poem has sometimes been attributed to the Hellenistic poet Moschus. [8] Virgil's "Eclogue 5," written in the 1st century BCE, is the most imitated ancient model of the pastoral elegy.
"A Death-Bed" is a poem by English poet and writer Rudyard Kipling (1865-1936). It was first published in April 1919, in the collection The Years Between . Later publications identified the year of writing as 1918.
The poem was five stanzas long when it first appeared in the 1936 verse play The Ascent of F6, written by Auden and Christopher Isherwood. It was written as a satiric poem of mourning for a political leader. [1] In the play, the poem was put to music by the composer Benjamin Britten and read as a blues work. [2]