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2. MACOM Technology Solutions Introduces Low Cost Ultra-Small ...

   www.aol.com/2013/06/06/macom-technology...

   MACOM Technology Solutions Introduces Low Cost Ultra-Small Sub-Harmonic Pumped Mixer at IEEE MTT International Microwave Symposium 2013 Packaged in a compact 1.5x1.2mm plastic TDFN, ...

3. TTM 57 SL - Wikipedia

   en.wikipedia.org/wiki/TTM_57_SL

   The TTM 57SL is an audio mixer console, also known as a DJ mixer, designed by Rane Corporation.Rane and their software partner Serato, also known as Serato Scratch Live, teamed up together to create the TTM 57SL from Rane's prior TTM 56 disc jockey DJ mixer.

4. Mixing console - Wikipedia

   en.wikipedia.org/wiki/Mixing_console

   SSL SL9000J (72 channel) console at Cutting Room Recording Studio, NYC An audio engineer adjusts a mixer while doing live sound for a band.. A mixing console or mixing desk is an electronic device for mixing audio signals, used in sound recording and reproduction and sound reinforcement systems.

5. Audio mixing (recorded music) - Wikipedia

   en.wikipedia.org/wiki/Audio_mixing_(recorded_music)

   A mixer (mixing console, mixing desk, mixing board, or software mixer) is the operational heart of the mixing process. [10] Mixers offer a multitude of inputs, each fed by a track from a multitrack recorder. Mixers typically have 2 main outputs (in the case of two-channel stereo mixing) or 8 (in the case of surround).

6. Sound reinforcement system - Wikipedia

   en.wikipedia.org/wiki/Sound_reinforcement_system

   A rack of electronic audio compressors. Dynamic range compression is designed to help the audio engineer to manage the dynamic range of audio signals. Prior to the invention of automatic compressors, audio engineers accomplished the same goal by "riding the faders", listening carefully to the mix and lowering the faders of any singer or ...

7. Neve Electronics - Wikipedia

   en.wikipedia.org/wiki/Neve_Electronics

   The unit can be linked for stereo and multi-channel operation. The compressor processes the audio signal before the output amplifier, meaning the output level can be raised after compression of the signal. [9] The controls include compression attack and recovery times. There is also a bypass control to switch the effect in or out of the circuit.