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The pastoral elegy is a poem about both death and idyllic rural life. Often, the pastoral elegy features shepherds. The genre is actually a subgroup of pastoral poetry, as the elegy takes the pastoral elements and relates them to expressing grief at a loss. This form of poetry has several key features, including the invocation of the Muse ...
The Graveyard School is an indefinite literary grouping that binds together a wide variety of authors; what makes a poem a "graveyard" poem remains open to critical dispute. At its narrowest, the term "Graveyard School" refers to four poems: Thomas Gray's " Elegy Written in a Country Churchyard ", Thomas Parnell's "Night-Piece on Death", Robert ...
First page of Dodsley's illustrated edition of Gray's Elegy with illustration by Richard Bentley. Elegy Written in a Country Churchyard is a poem by Thomas Gray, completed in 1750 and first published in 1751. [1] The poem's origins are unknown, but it was partly inspired by Gray's thoughts following the death of the poet Richard West in 1742.
"The Scholar-Gipsy" (1853) is a poem by Matthew Arnold, based on a 17th-century Oxford story found in Joseph Glanvill's The Vanity of Dogmatizing (1661, etc.). It has often been called one of the best and most popular of Arnold's poems, [ 1 ] and is also familiar to music-lovers through Ralph Vaughan Williams ' choral work An Oxford Elegy ...
An elegy is a poem of serious reflection, and in English literature usually a lament for the dead. However, according to The Oxford Handbook of the Elegy, "for all of its pervasiveness ... the 'elegy' remains remarkably ill defined: sometimes used as a catch-all to denominate texts of a somber or pessimistic tone, sometimes as a marker for textual monumentalizing, and sometimes strictly as a ...
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However, in 1751, Thomas Gray wrote "Elegy Written in a Country Churchyard". That poem inspired numerous imitators, and soon both the revived Pindaric ode and "elegy" were commonplace. Gray used the term elegy for a poem of solitude and mourning, and not just for funereal verse. He also freed the elegy from the classical elegiac meter.
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