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"Pleasant Valley Sunday" is a song by Gerry Goffin and Carole King, recorded and released by the Monkees in the summer of 1967. Inspired by their move to West Orange, New Jersey , and named for a street there, Goffin and King wrote the song about their dissatisfaction with life in the suburbs .
Harriet (born Harriet Roberts, September 8, 1966, Sheffield, England) [1] is an English dance-pop singer. She released two singles, "Woman to Man" and "Temple of Love", in 1990, on EastWest/Atlantic Records. "Temple of Love" cracked the US Billboard Hot 100 in 1991, peaking at #39. [1] Her single also reached #14 on the US Billboard R&B chart.
"Porpoise Song" is a song written by Gerry Goffin and Carole King and performed by the Monkees as the theme song for their 1968 film Head and its accompanying soundtrack album. [4] The single version contains an extended instrumental outro not included on the album version or in either of the song's appearances in Head .
"I Wan'na Be Like You (The Monkey Song)" is a song from Walt Disney's 1967 film The Jungle Book. The song was written by songwriters Robert and Richard Sherman , [ 1 ] and was performed by singer and musician Louis Prima as King Louie , with Phil Harris providing additional vocals as Baloo the bear.
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Skander spots Harriet stalking him and follows her to Janie's house. Meanwhile, Harriet's friends decide to cut off their friendship with her because she is too obsessed with Skander. They feel left out and claim that Harriet is befriending the people whom she once despised. While leaving, Harriet bumps into a chemical made by her eco-friend.
This is an accepted version of this page This is the latest accepted revision, reviewed on 30 December 2024. Character in Chinese mythology For other uses, see Monkey King (disambiguation). "Wukong" redirects here. For other uses, see Wukong (disambiguation). "Qi Tian Da Sheng" redirects here. For Pu Songling's story, see The Great Sage, Heaven's Equal. In this Chinese name, the family name is ...
Rena Murakami of the Japanese culture site Real Sound characterizes the lyrics as "reminiscent of the execution of a king". [6] In a column for the lyrics search and music news site UtaTen , Amu Machioka characterized the song as an allegory for the house arrest, trial, and execution of Louis XVI (whom they interpreted as the titular King ...