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By the 1970s, three main forms of poetry performance had emerged. First was the poetry reading, at which poems that had been written for the page were read to an audience, usually by the author. Poetry readings have become widespread and poetry festivals and reading series are now part of the cultural landscape of most Western societies.
Voice is an active, physical thing in oral poetry. It needs a speaker and a listener, a performer and an audience. It is a bodily creation that thrives in live connection. The voice is the mechanism by which a "poet's voice" comes alive. [1] Reciting a poem aloud the reciter comes to understand and then to be the 'voice' of the poem. [2]
Poetry (from the Greek word poiesis, "making") is a form of literary art that uses aesthetic and often rhythmic [1] [2] [3] qualities of language to evoke meanings in addition to, or in place of, literal or surface-level meanings. Any particular instance of poetry is called a poem and is written by a poet.
While now used to discuss literature, the term tone was originally applied solely to music. This appropriated word has come to represent attitudes and feelings a speaker (in poetry), a narrator (in fiction), or an author (in non-literary prose) has towards the subject, situation, and/or the intended audience.
Engaging poems (and taking part in the arts generally) has practical benefit at a wider community level: A critical study by the National Endowment for the Arts found that people with longitudinal ...
A poet is a person who studies and creates poetry.Poets may describe themselves as such or be described as such by others. A poet may simply be the creator (thinker, songwriter, writer, or author) who creates (composes) poems (oral or written), or they may also perform their art to an audience.
Goethe declared that "Occasional Poetry is the highest kind," [3] and Hegel gave it a central place in the philosophical examination of how poetry interacts with life: Poetry's living connection with the real world and its occurrences in public and private affairs is revealed most amply in the so-called pièces d'occasion. If this description ...
In his work Poetics, Aristotle defines an epic as one of the forms of poetry, contrasted with lyric poetry and drama (in the form of tragedy and comedy). [12] Epic poetry agrees with Tragedy in so far as it is an imitation in verse of characters of a higher type. They differ in that Epic poetry admits but one kind of meter and is narrative in form.