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Thomas Warwick (or Warrick) was a poet and unbeneficed clergyman of Cornish origin, born about 1755, died after 1785.He took part in the revival of the sonnet form at the end of the 18th century and his other writing included odes and poems on mediaeval subjects.
"Ode on Indolence" relies on ten line stanzas with a rhyme scheme that begins with a Shakespearian quatrain (ABAB) and ends with a Miltonic sestet (CDECDE). This pattern is used in "Ode on Melancholy", "Ode to a Nightingale" and "Ode on a Grecian Urn", which further unifies the poems in their structure in addition to their themes.
"Ode to Joy" by Ludwig van Beethoven " The Hymn of Joy " [ 1 ] (often called " Joyful, Joyful We Adore Thee " after the first line) is a poem written by Henry van Dyke in 1907 in being a Vocal Version of the famous "Ode to Joy" melody of the final movement of Ludwig van Beethoven 's final symphony, Symphony No. 9 .
The Roman writer Petronius, writing less than a century after Horace's death, remarked on the curiosa felicitas (studied spontaneity) of the Odes (Satyricon 118). The English poet Alfred Tennyson declared that the Odes provided "jewels five-words long, that on the stretched forefinger of all Time / Sparkle for ever" (The Princess, part II, l.355).
"Ode on a Grecian Urn" is a lyric ode with five stanzas containing 10 lines each. The first stanza begins with the narrator addressing an ancient urn as "Thou still unravished bride of quietness!", initiating a conversation between the poet and the object, which the reader is allowed to observe from a third-person point of view. [8]
William Wordsworth's Ode on Intimations of Immortality from Recollections of Early Childhood (1807) and Thomas Gray's The Progress of Poesy: A Pindaric Ode (1757) are both written in the Pindaric style. Gray's The Bard: A Pindaric Ode (1757) is a Pindaric ode where the three-part structure is thrice repeated, yielding a longer poem of nine stanzas.
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Come Ye Sons of Art, Z.323, [a] also known as Ode for Queen Mary's Birthday, is a musical composition by Henry Purcell. It was written in 1694, and is one of a series of odes in honour of the birthday of Queen Mary II of England. [1] The text of the ode is often attributed to Nahum Tate, who was poet laureate at the time.
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