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The Intervention of the Sabine Women is a 1799 painting by the French painter Jacques-Louis David, showing a legendary episode following the abduction of the Sabine women by the founding generation of Rome. Work on the painting commenced in 1796, after his estranged wife visited him in jail.
The David and Goliath in the Prado was painted in the early part of the artist's career, while he was a member of the household of Cardinal Francesco Maria Del Monte.It shows the Biblical David as a young boy (in accordance with the Bible story) fastening the head of the champion of the Philistines, the giant Goliath, by the hair.
David with the Head of Goliath, dated c. 1600-1601, is a painting by the Italian artist Caravaggio (1571–1610), housed in the Kunsthistorisches Museum Gemäldegalerie, Vienna. Peter Robb believes it was acquired by the conde de Villamediana in Naples between 1611 and 1617, as Giovanni Bellori records Villamediana as having returned to Spain ...
David with the Head of Goliath is a painting by the Italian Baroque artist Caravaggio.It is housed in the Galleria Borghese, Rome. [1] The painting, which was in the collection of Cardinal Scipione Borghese [a] in 1650, [3] has been dated as early as 1605 and as late as 1609–1610, with more recent scholars tending towards the former.
National Gallery of Art, Washington D.C. The Three Women of Gand: 1812 oil on canvas 132 × 105 Louvre Museum, Paris Portrait of Madame David: 1813 oil on canvas 73 × 60 National Gallery of Art, Washington D.C. Apelles Painting Campaspe in the Presence of Alexander the Great: 1814 oil on canvas 96.5 × 136 Palais des Beaux-Arts de Lille, Lille ...
In 1947, Mrs. Harry Turpin gifted a Stanzione original painting titled David With the Head of Goliath to the Fine Arts Gallery of San Diego (now the San Diego Museum of Art); the work was then attributed to Ribera, but was reattributed to Stanzione by Mario Modestini in 1951, an attribution confirmed by Schleier, Felton, Zeri, and Spinosa.
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In a vertical oval-shaped painting, the only character represented is a young girl dressed in a low-cut white dress with balloon sleeves. She is holding an armful of roses in one side of her apron, she also wears a ribbon with three flowers, and has a rose on her bodice. She carries the broken vessel, the object of the painting, on her right arm.
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