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In 1979 Reed said "Saying 'I'm a Coney Island baby' at the end of that song is like saying I haven't backed off an inch. And don't you forget it." [ 8 ] [ 9 ] It is a direct continuation of the poem "The Coach and Glory of Love", written by Reed and published in the Fall 1971 edition of The Harvard Advocate .
Blood Money is the fifteenth studio album by Tom Waits, released in 2002 on the ANTI-label. It consists of songs Waits and Kathleen Brennan wrote for Robert Wilson's opera Woyzeck. Waits had worked with Wilson on two previous plays: The Black Rider and Alice. Alice was released with Blood Money simultaneously in 2002.
Their fifth album, Take a Look at That Baby (2013), included guests Ernesto Gomez, Joe Bellulovich, Jackson Lynch and Blind Uncle Otis in addition to Crumb, Flemons and Conte. Their sixth album was named Coney Island Baby (2019). Their seventh and latest album, Goodbye Cruel World (2022), saw Crumb play, sing and again undertake the cover art
"Coney Island Moon" by Tom Russell "Coney Island Moonlight" by Guitar Crusher "Coney Island Night" by Mark Johnson "Coney Island of Your Mind" by The Wisdom of Harry "Coney Island Rag" by David Chesky "Coney Island Sally" by Fifth Estate "Coney Island USA" (from the musical I Had a Ball) "Coney Island Visit" by Kenyon Hopkins
American singer-songwriter Tom Waits has a song called "Coney Island Baby," on his 2002 album Blood Money. He also references Coney Island in his songs "Table Top Joe" from the 2002 album Alice and "Take It With Me" from the 1999 album Mule Variations.
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Tom Waits was born and raised in a middle-class family in Pomona, California. Inspired by the work of Bob Dylan and the Beat Generation, he began singing on the San Diego folk circuit. He relocated to Los Angeles in 1972, where he worked as a songwriter before signing a recording contract with Asylum Records.
Rock and Roll Diary: 1967–1980 is a compilation album by Lou Reed. [5] It was released by Arista Records in 1980 as a double album split between tracks by the Velvet Underground and tracks by Reed, attempting to demonstrate the arc of his songwriting over the first fifteen years of his career.