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Overture (from French ouverture, lit. "opening") is a music instrumental introduction to a ballet, opera, or oratorio in the 17th century. [1] During the early Romantic era, composers such as Beethoven and Mendelssohn composed overtures which were independent, self-existing, instrumental, programmatic works that foreshadowed genres such as the symphonic poem.
Overture di Ballo; Overture in A minor; Overture in C, "In Memoriam" Overture in E major and Ballet Scene; Overture in G major (Cherubini) Overture on Hebrew Themes; Overture Respighiana; The Myth of Falcon; Overture to a Picaresque Comedy; Overture to an Italian Comedy
The Year 1812, Solemn Overture, Op. 49, popularly known as the 1812 Overture, [1] is a concert overture in E ♭ major written in 1880 by Russian composer Pyotr Ilyich Tchaikovsky. The piece commemorates Russia 's successful defense against the French invasion of the nation in 1812.
The overture in E major, Op. 21, was written by Mendelssohn at 17 years and 6 months old (it was finished on 6 August 1826). [1] Contemporary music scholar George Grove called it "the greatest marvel of early maturity that the world has ever seen in music". [2] It was written as a concert overture, not associated with any performance of the play.
Cockaigne (In London Town), Op. 40, also known as the Cockaigne Overture, is a concert overture for full orchestra written by the British composer Edward Elgar in 1900–1901. History [ edit ]
The French overture is a musical form widely used in the Baroque period. Its basic formal division is into two parts, which are usually enclosed by double bars and repeat signs. Its basic formal division is into two parts, which are usually enclosed by double bars and repeat signs.
In the history of the orchestra, ... Concert orchestra is an alternative term, ... In the 1850s the concert overture began to be supplanted by the symphonic poem.
The overture consists of two primary themes; the opening notes of the overture state the theme Mendelssohn wrote while visiting the cave, and is played initially by the violas, cellos, and bassoons. [11] This lyrical theme, suggestive of the power and stunning beauty of the cave, is intended to develop feelings of loneliness and solitude.