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Self-portraiture, or Autoportraiture is the field of art theory and history that studies the history, means of production, circulation, reception, forms, and meanings of self-portraits. [ 1 ] [ 2 ] [ 3 ] Emerging in Antiquity and becoming popular from the Renaissance as an artistic practice, as a specific field of study, self-portraiture is ...
This category is about Self-portraiture, or Autoportraiture: field of art theory and history that studies the history, means of production, circulation, reception, forms, and meanings of self-portraits
Samuel Joseph Brown Jr. (1907–1994) was a watercolorist, printmaker, and educator. He was the first African American artist hired to produce work for the Public Works of Art Project, a precursor to the Work Progress Administration's Federal Art Project.
It therefore appears that, depending on the era and the gender of the authors or curators of the exhibitions, the share of the female self-portrait in painting is evaluated in a very variable way; the recent increase is not the consequence of a renewed activity of the artists concerned, but that of a positive re-evaluation, from the 1970s, of ...
A painting by Parmigianino in 1524 Self-portrait in a mirror, demonstrates the phenomenon. Mirrors permit surprising compositions like the Triple self-portrait by Johannes Gumpp (1646), or more recently that of Salvador Dalí shown from the back painting his wife, Gala (1972–73). This use of the mirror often results in right-handed painters ...
Self-Portrait in a Straw Hat; Self-Portrait in a Striped T-shirt; Self-portrait in a Velvet Dress; Self-Portrait in the Costume of the Abbot of the Accademia della Val di Blenio; Self-Portrait in Tuxedo; Self-portrait of Shevchenko (winter 1840/1841) Self-Portrait on an Easel; Self-portrait with a Blue Sketchbook; Self-Portrait with a Harp ...
The last three etchings date to 1648, [5] c. 1651, [6] and 1658, [7] whereas he was still painting portraits in 1669, the year he died at the age of 63. [8] At one time about ninety paintings were counted as Rembrandt self-portraits, but it is now known that he had his students copy his own self-portraits as part of their training. [9]
Self-portrait of Smith (c.1680), Worcester Art Museum Unknown man, oil on canvas, from 17th century colonial America, attributed to Thomas Smith. Thomas Smith (c. 1650 –1691) was an artist, sailor and slave trader in colonial New England.