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The Mass for Four Voices is a choral Mass setting by the English composer William Byrd (c.1540–1623). It was written around 1592–1593 during the reign of Queen Elizabeth I, and is one of three settings of the Mass Ordinary which he published in London in the early 1590s.
Mass No. 4 in C major, D 452, is a mass composed by Franz Schubert in 1816. It was originally scored for soprano , alto , tenor and bass soloists , SATB choir , violin I and II, and basso continuo ( cello , double bass and organ ).
The following description of the celebration of Mass, usually in the local vernacular language, is limited to the form of the Roman Rite promulgated after the Second Vatican Council (1962–1965) by Pope Paul VI in 1969 and revised by Pope John Paul II in 2002, largely replacing the usage of the Tridentine Mass form originally promulgated in ...
The Mass (Latin: missa) is a form of sacred musical composition that sets the invariable portions of the Christian Eucharistic liturgy (principally that of the Catholic Church, the Anglican Communion, and Lutheranism), known as the Mass.
Masses nos. 9–14 form a group: each was composed by Haydn for the Esterházy family, to celebrate the name day (12 September) of Princess Maria Hermenegild, the wife of Prince Nikolaus II and a friend of the composer. [2]
Despite the Tridentine Mass being supplanted by a new form of the Roman Rite Mass, some communities continued celebrating pre-conciliar rites or adopted them later. This includes priestly societies and religious institutes which use some pre-1970 edition of the Roman Missal or of a similar missal in communion with the Holy See.
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In the early Church, Mass was normally celebrated by the bishop, with other clergy. In the Roman Rite this evolved into a form of Solemn High Mass celebrated by a bishop accompanied by a deacon, subdeacon, assistant deacons, [1] thurifer, acolyte(s) and other ministers, under the guidance of a priest acting as master of ceremonies.