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The Exploited are a Scottish punk rock band from Edinburgh, formed in 1978 by Stevie Ross and Terry Buchan, with Buchan soon replaced by his brother Wattie Buchan. They signed to Secret Records in March 1981, [ 1 ] and their debut EP, Army Life , and debut album, Punks Not Dead , were both released that year. [ 1 ]
An exploitation film is a film that tries to succeed financially by exploiting current trends, niche genres, or lurid content. Exploitation films are generally low-quality " B movies ", [ 1 ] though some set trends, attract critical attention, become historically important, and even gain a cult following .
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Exploitation celebrated its world premiere at the Lausanne Underground Film and Music Festival, October 20, 2012. The LUFF website writes about the film: “This gothic-noir satiric fresco transports us into the superficial world of film industry: a business without mercy that only seeks to copy itself without taking any risks.
The Exploited's Punks Not Dead album's title is a reaction to anarcho punk contemporaries Crass' song "Punk is Dead". [ 2 ] [ 13 ] Buchan has been open about disliking Crass, saying: "People listen to bands and believe what they sing about.
Fuck the System (known as F@#k the System in the clean version) is the eighth studio album by Scottish hardcore punk band The Exploited. It was released on 17 February 2003 through Dream Catcher Records in the UK and Spitfire Records in the US. Recording sessions took place at Chapel Studios in Lincolnshire, England. [4]
The Massacre is the sixth studio album by Scottish hardcore punk band The Exploited, released in 1990 through Rough Justice. It is the second crossover thrash album by The Exploited and is the band's most successful album so far. [2] The intro was taken from the 1978 movie Faces of Death. [3]
Punks Not Dead is the first studio album by the Scottish punk rock band The Exploited, released in April 1981 on Secret Records. [1] [8] Working class and loyal to the first impulses of the 1970s punk movement, the album was a reaction to critics who believed the punk rock genre was dead, and went against popular trends such as new wave and post-punk. [9]