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Sawahli (coastal) music is a type of popular Egyptian music from the country's northern coast, and is based around ancient Egyptian instrumentals, mainly the simsimiyya, which is an indigenous Egyptian stringed instrument that has its roots in ancient Egypt, it---the simsimiyya---was probably introduced to the country's northern coast from the ...
The music of ancient Rome borrowed heavily from the music of the cultures that were conquered by the empire, including music of Greece, Egypt, and Persia. Music accompanied many areas of Roman life; including the military, entertainment in the Roman theater, religious ceremonies and practices, and "almost all public/civic occasions." [26] [27]
It is used in Egypt in certain genres of Egyptian music, including Sawahli (coastal) music, which is a type of popular Egyptian music from the country's northern coast. The simsimiyya was probably introduced to the country's northern coast from the Nile valley in the 19th century by Egyptian workers in the Suez canal. It is also used in other ...
Egyptian music is a rich mixture of indigenous Egyptian and Western influences. As early as 4000 BC, ancient Egyptians were playing harps and flutes, as well as two indigenous instruments: the ney and the oud. However, there is a little notation of Egyptian music before the 7th century AD, when Egypt became part of the Muslim world.
A sesheshet-type sistrum, shaped like a naos, Twenty-sixth Dynasty (ca. 580–525 BCE). The sistrum was a sacred instrument in ancient Egypt. Perhaps originating in the worship of Bat, it was used in dances and religious ceremonies, particularly in the worship of the goddess Hathor, with the U-shape of the sistrum's handle and frame seen as resembling the face and horns of the cow goddess. [9]
Music archaeology is an interdisciplinary field with multifaceted approaches, [6] falling under the cross section of experimental archaeology and musicology research. [7] Music archaeology research aims to understand past musical behaviors; this may be done through methods such as recreating past musical performances, or reconstructing musical instruments from the past.
To the ancient Egyptians, the judgment of the dead was the process that allowed the Egyptian gods to judge the worthiness of the souls of the deceased. Deeply rooted in the Egyptian belief in immortality, judgment was one of the most important parts of the journey through the afterlife.
Obelisks had a prominent role in the architecture and religion of ancient Egypt. [3] This list contains all known remaining ancient Egyptian obelisks. [1] [2] The list does not include modern or pre-modern pseudo-Egyptian obelisks, such as the numerous Egyptian-style obelisks commissioned by Roman Emperors. The list also excludes approximately ...