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A sesheshet-type sistrum, shaped like a naos, Twenty-sixth Dynasty (ca. 580–525 BCE). The sistrum was a sacred instrument in ancient Egypt. Perhaps originating in the worship of Bat, it was used in dances and religious ceremonies, particularly in the worship of the goddess Hathor, with the U-shape of the sistrum's handle and frame seen as resembling the face and horns of the cow goddess. [9]
Image of two ancient Egyptian men practicing tahtib on an ostracon. Tahtib (Egyptian Arabic: تحطيب, romanized: taḥṭīb) is the term for a traditional stick-fighting martial art [1] originally named fan a'nazaha wa-tahtib ("the art of being straight and honest through the use of stick"). [2]
The music of ancient Rome borrowed heavily from the music of the cultures that were conquered by the empire, including music of Greece, Egypt, and Persia. Music accompanied many areas of Roman life; including the military, entertainment in the Roman theater, religious ceremonies and practices, and "almost all public/civic occasions." [26] [27]
Maa Kheru (Ancient Egyptian: mꜣꜥ ḫrw) is a phrase meaning "true of voice" or "justified" [1] or "the acclaim given to him is 'right'". [2] The term is involved in ancient Egyptian afterlife beliefs , according to which deceased souls had to be judged morally righteous.
In Egyptian culture, [1] the zaffa (Egyptian Arabic: زفـّـة / ALA-LC: zaffah), or wedding march, is a musical procession of bendir drums, bagpipes, horns, belly dancers and men carrying flaming swords. This is an ancient Egyptian tradition that predates Islam.
Sawahli (coastal) music is a type of popular Egyptian music from the country's northern coast, and is based around ancient Egyptian instrumentals, mainly the simsimiyya, which is an indigenous Egyptian stringed instrument that has its roots in ancient Egypt, it---the simsimiyya---was probably introduced to the country's northern coast from the ...
Archaeoacoustics is a sub-field of archaeology and acoustics which studies the relationship between people and sound throughout history.It is an interdisciplinary field with methodological contributions from acoustics, archaeology, and computer simulation, and is broadly related to topics within cultural anthropology such as experimental archaeology and ethnomusicology.
To the ancient Egyptians, the judgment of the dead was the process that allowed the Egyptian gods to judge the worthiness of the souls of the deceased. Deeply rooted in the Egyptian belief in immortality, judgment was one of the most important parts of the journey through the afterlife.