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Japanese calligraphy (書道, shodō), also called shūji (習字), is a form of calligraphy, or artistic writing, of the Japanese language. Written Japanese was originally based on Chinese characters only , but the advent of the hiragana and katakana Japanese syllabaries resulted in intrinsically Japanese calligraphy styles.
Fujiwara no Yukinari (藤原 行成, 972 – January 3, 1028 [1]), also known as Fujiwara no Kōzei, [2] was a Japanese calligrapher (shodoka) during the Heian period. He was memorialized for his prowess in his chosen art by being remembered as one of the outstanding Three Brush Traces ( Sanseki 三跡), along with Ono no Michikaze and Fujiwara ...
Pages for logged out editors learn more. Contributions; ... Print/export Download as PDF; ... Japanese calligraphy (1 C, 13 P) K.
Yojijukugo in the broad sense refers to Japanese compound words consisting of four kanji characters, which may contain an idiomatic meaning or simply be a compound noun. [3] However, in the narrow or strict sense, the term refers only to four- kanji compounds that have a particular (idiomatic) meaning, which cannot be inferred from the meanings ...
Her calligraphy is characterized by its large scale, her largest work to date being 15 meters long. [5] She frequently performs her calligraphy in public, including at temples and shrines such as Kenchō-ji in Kamakura, Tōdai-ji in Nara, Kennin-ji in Kyoto, Chūson-ji in Iwate Prefecture, and Itsukushima Shrine in Hiroshima Prefecture.
Zenga is a style of Chinese and Japanese calligraphy and painting, done in ink. The term is most often used for artwork by Buddhist monks, often without formal artistic training, and is sometimes contrasted with "nanga," or "literati painting," made by scholars. [1] In many instances, both calligraphy and image will be in the same piece.
Decorative kakemono and ikebana in an onsen hotel. A kakemono (掛物, "hanging thing"), more commonly referred to as a kakejiku (掛軸, "hung scroll"), is a Japanese hanging scroll used to display and exhibit paintings and calligraphy inscriptions and designs mounted usually with silk fabric edges on a flexible backing, so that it can be rolled for storage.
None of Michikaze's kana calligraphy is known to have survived. A number of extant kanji works are believed to be by Michikaze, but only a few are strongly attributed to him. One of the well-known works ascribed without much evidence to Michikaze is a draft for an inscription on a byoubu (Japanese folding screen ) now mounted as a handscroll in ...
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