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Thomas D. Mangelsen (born January 6, 1946) is an American nature and wildlife photographer and conservationist. He is most famous for his photography of wildlife in the Greater Yellowstone Ecosystem, as he has lived inside the zone in Jackson, Wyoming, for over 40 years.
In 2006, a print became the most expensive photo sold. [30] [31] [s 2] The Steerage: 1907 Alfred Stieglitz: Aboard the SS Kaiser Wilhelm II, possibly anchored at Plymouth, England, United Kingdom [32] Landmark modernist photo depicting immigrants on the SS Kaiser Wilhelm II. [33] [s 1] [s 2] Child Laborer in Newberry, South Carolina Cotton Mill ...
He referred to his landscape photographs as "dynamic landscapes," due to both the fast-changing nature of light and conditions and his energetic pursuit of the best camera position at the optimal moment. Rowell wrote about the quest for such images in Mountain Light, and also in Galen Rowell's Vision (1993) and Inner Game of Outdoor Photography ...
Image credits: Old-time Photos To learn more about the fascinating world of photography from the past, we got in touch with Ed Padmore, founder of Vintage Photo Lab.Ed was kind enough to have a ...
Art Wolfe has released more than 65 photo books and instructional videos of photographic techniques. The U.S. Postal Service has used Wolfe's photographs on two stamps. He is an Honorary Fellow of the Royal Photographic Society and serves on the advisory boards for the Wildlife Conservation Society, Nature's Best Foundation, Bridges to Understanding, and is a Fellow of the International League ...
This list is part of the List of organisms named after famous people, and includes organisms named after famous individuals born between 1 January 1900 and 31 December 1949. It also includes ensembles (including bands and comedy troupes) in which at least one member was born within those dates; but excludes companies, institutions, ethnic ...
Image credits: Photoglob Zürich "The product name Kodachrome resurfaced in the 1930s with a three-color chromogenic process, a variant that we still use today," Osterman continues.
His pictures attracted wider attention through the support of gallerist Karl Nierendorf, who sponsored a show of Blossfeldt's pictures paired with African sculptures at his gallery in 1926. [7] Nierendorf also helped to produce the first edition of Blossdeldt's monograph Urformen der Kunst (Art forms in nature), in 1929. [ 4 ]