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Gildo Kassa is an Ethiopian dance music composer, songwriter, and singer.He is known for writing and producing songs for young artists, and is known for his 2019 single "Lageba New", [a] which was included on Al Jazeera's "ultimate year-end African music playlist" in 2019.
Some Ethiopian religious music has an ancient Christian element, traced to Yared, who lived during the reign of Emperor Gebre Meskel (Son of Kaleb of Aksumite Empire) in the 6th century. Yared was considered the father of Ethiopian-Eritrean traditional music as well as he composed chant or Zema and the use in liturgical music.
The album was released independently by RAEY Records. A shorter version of the album, named Reflection E.P. was released by the Ghanaian label Akwaaba Music. Reflection was deeply rooted in raw traditional Ethiopian music but also mixing futuristic aesthetics into the powerful songs which reflected Rophnan's generation and artistic vision ...
The music of Ethiopia is extremely diverse, with each of the country's ethnic groups being associated with their own sounds. Some forms of traditional music are strongly influenced by folk music from elsewhere in the Horn of Africa, especially Somalia. In southeastern Ethiopia, in Wollo, a Muslim musical form called manzuma developed in 1907.
Teddy Afro made his debut in 2001 with the album Abugida, quickly establishing himself as a prominent voice in his native country.Mixing reggae, traditional Ethiopian styles, and pop music, his sophomore LP, 2005's Yasteseryal yielded a major hit in its controversial title track, which criticized corruption in the country's government.
The Ethiopian traditional music embodied with strong oral-literature style. In this case, the traditional music is played by local entertainers called azmaris. Music in Ethiopia was originated, as part of Christian religious service during Yared-era in the 6th century. Muslim form called manzuma also developed in Harar and Jimma. [1]
He went on to pursue a formal education in music at Holy Trinity College in London. Astatke was interested in promoting traditional Ethiopian music to Western audiences. Beginning in 1958, he also studied jazz at Berklee College of Music in Boston. There, he successfully combined Ethiopian music with Western jazz and rhythms, conceiving "Ethio ...
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