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Apulian vase painting was a regional style of South Italian vase painting from ancient Apulia in southeast Italy. It comprises geometric pottery and red-figure pottery . The legitimate Iron Age sequel to the Neolithic and Bronze Age culture of Matera and Molfetta has not yet been discovered and the pre-history of Daunia , Peucetia and Messapia ...
Kantharoi and bowls with painted-on handles are now the main shapes. Ribbing is still in use, as is the copious application of white paint, now with yellow added for shading. Unlike local red-figure pottery, South Italian Gnathia vases were also traded to other regions of the Mediterranean and Black Sea areas.
Deruta, a medieval hilltown in Umbria, Italy, is mainly known as a major centre for the production of maiolica (painted tin-glazed earthenware) in the Renaissance and later. Production of pottery is documented in the early Middle Ages , though no surviving pieces can be firmly attributed there before about 1490.
The earlier vessels were painted in cobalt blue while later vessels often include turquoise, olive-green and black. [60] A number of dishes dating from this period show the influence of Italian pottery. The small bowls and a large flat rims are similar in shape to maiolica tondino dishes that were popular in Italy between 1500 and 1530.
It was brought to Italy by Hispano-Moresque traders; the earliest Italian examples were produced in Florence in the 15th century. Iznik pottery, made in western Anatolia, is highly decorated ceramics whose heyday was the late 16th century under the Ottoman sultans.
Daunian pottery was produced in Daunia, located in the modern Italian provinces of Barletta-Andria-Trani and Foggia. It was created by the Daunians , a tribe of the Iapygian civilization who had probably migrated from Illyria .
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