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"Ode to Joy" (German: "An die Freude" [an diː ˈfʁɔʏdə]) is an ode written in the summer of 1785 by German poet, playwright, and historian Friedrich Schiller. It was published the following year in the German magazine Thalia. In 1808, a slightly revised version changed two lines of the first stanza and omitted last stanza.
The final (4th) movement of the symphony, commonly known as the Ode to Joy, features four vocal soloists and a chorus in the parallel key of D major. The text was adapted from the " An die Freude (Ode to Joy) ", a poem written by Friedrich Schiller in 1785 and revised in 1803, with additional text written by Beethoven.
The Anthem of Europe or European Anthem, also known as Ode to Joy, is a piece of instrumental music adapted from the prelude of the final movement of Beethoven's 9th Symphony composed in 1823, originally set to words adapted from Friedrich Schiller's 1785 poem "Ode to Joy".
Peace and joy advance in perfect concord, like the changing play of the waves. All that was harsh and hostile, has turned into sublime delight. When music's enchantment reigns, speaking of the sacred word, Magnificence takes form, The night and the tempest turns to light: Outer peace and inner bliss Reign o'er the fortunate ones. All art in the ...
Ode to Joy" is a poem by Friedrich Schiller. Ode to Joy may also refer to: The "Ode to Joy" theme from Ludwig van Beethoven's 9th Symphony, the best known setting of the poem Ode to Joy, the name of the Anthem of Europe, based on Beethoven's work; Ode to Joy (The Deadly Snakes album), by the Canadian indie rock band The Deadly Snakes
Retrieved from "https://en.wikipedia.org/w/index.php?title=Ode_to_Joy_(Beethoven)&oldid=791377692"
"The Hymn of Joy" [1] (often called "Joyful, Joyful We Adore Thee" after the first line) is a poem written by Henry van Dyke in 1907 in being a Vocal Version of the famous "Ode to Joy" melody of the final movement of Ludwig van Beethoven's final symphony, Symphony No. 9.
Ode to Joy is a hit with both domestic and overseas viewers. The first season of the drama has over 18.3 billion views as of December 2016, becoming the most watched contemporary drama in China, before being surpassed by Love O2O. [9]