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Blue Mustang (colloquially known as Blucifer) [1] [2] is a cast-fiberglass sculpture of a mustang located at Denver International Airport (DEN). Colored bright blue, with illuminated glowing red eyes, it is notable both for its striking appearance and for having killed its sculptor, Luis Jiménez, when a section of it fell on him at his studio.
The most famous of these is Blue Mustang. Jiménez died in an industrial accident during its construction. It was commissioned by the Denver International Airport and completed after his death. His most extensive exhibition, a retrospective called Luis Jiménez: Man on Fire, which had 331 works, opened at The Albuquerque Museum in New Mexico in ...
Blue Mustang, by El Paso-born artist Luis Jiménez, was one of the earliest public art commissions for Denver International Airport in 1993. The 32-foot-tall (9.8 m) sculpture is a bright blue cast-fiberglass sculpture of a horse with glowing red eyes located between the inbound and outbound lanes of Peña Boulevard. [61]
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Blue Bear, see I See What You Mean; Blue Mustang, Denver International Airport; Bridge; Bronco Buster; Civil War Monument, also known as Soldier's Monument [1] The Closing Era, Colorado State Capitol; Colorado Tribute to Veterans Monument, Colorado State Capitol; Confluence Park Marker [2] Dancers; For Jennifer; The Garrison Frieze [3] Homage ...
Fellow art student Tony Zhang, 26, shared similar thoughts, pointing to the Basquiat Ferris wheel as the most impressive surviving piece. Zhang, however, had just one complaint about the entire ...
Milles sent Allerton the only full size replica of the 1926 Swedish commission in 1929. Allerton thought he was getting a garden sculpture. Many copies of the headless, armless castings of Sun Singer by Milles exist in museums worldwide Diana of the Tower: 4.45: 14.6: Augustus Saint Gaudens: 1893: Philadelphia Museum of Art, Philadelphia ...
The sculpture targeted was the artist's large blue and white 'Porcelain Cube', the spokesperson said. The exhibit's curator, Arturo Galansino, said the perpetrator was well-known in the art world.