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Major Chromatic descending 5–6 sequence: ... DOG EAR Tritone Substitution for Jazz Guitar, Amazon Digital ... List of musical scales and modes; Cadence (music)
This came about partly from the similarity of the blues scale to modal scales and partly from the characteristics of the guitar and the use of parallel major chords on the pentatonic minor scale. With barre chords on guitar, the same chord shape can be moved up and down the neck without changing the fingering.
For example, if a descending fifths sequence in C major starts with the note C, the next note will be F, a perfect fifth below the first note. The next few notes will be B, E, A, D and so on, following a pattern of descending fifths. [7] A descending fifths sequence in C major. Notice the "circle of fifths" pattern in the lower staff. Play ⓘ
In the song, Oscar sings about the trash he so admires; he presents a tattered and worn sneaker that's covered with holes and has torn laces ("A gift from my mother the day I was born..."), a 13-month old newspaper with smelly, cold fish wrapped inside (a piece of waste that Oscar affirms he "wouldn't trade for a big pot of gold"), a defective ...
Urlinie: --over I-V-I Play ⓘ. Decorated third progression [1] Play ⓘ.Whereas originally D5 was the nonchord tone in E5-(D5)-C5, here it becomes a chord tone because it is supported by G3 in the bass, and this chord itself is elaborated D5-(C5)-B4, where C5 is the nonchord tone.
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
Spoilers ahead! We've warned you. We mean it. Read no further until you really want some clues or you've completely given up and want the answers ASAP. Get ready for all of today's NYT ...
In Baroque music, G major was regarded as the "key of benediction". [1] Of Domenico Scarlatti's 555 keyboard sonatas, G major is the home key for 69, or about 12.4%, sonatas. In the music of Johann Sebastian Bach, "G major is often a key of 6 8 chain rhythms", according to Alfred Einstein, [2] although Bach also used the key for some 4
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