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Charlotte Elliott (18 March 1789 – 22 September 1871) was an English evangelical Anglican [1] poet, hymn writer, and editor. She is best known by two hymns, "Just As I Am" and "Thy will be done". [2] Elliott edited Christian Remembrancer Pocket Book (1834–1859) and The Invalid's Hymn book, 6th edition, 1854. [2]
Christian poetry is any poetry that contains Christian teachings, themes, or references. The influence of Christianity on poetry has been great in any area that Christianity has taken hold. Christian poems often directly reference the Bible, while others provide allegory.
She started composing religious poetry, and became “a renowned writer across the Christian world.” Her popular poems include He Giveth More Grace and Christmas Carols, which were published in Christian Endeavour World and Sunday School Times. [1] [7] Flint passed away on 8 September 1932.
Christ I is found on folios 8r-14r of the Exeter Book, a collection of Old English poetry today containing 123 folios. The collection also contains a number of other religious and allegorical poems. [3] Some folios have been lost at the start of the poem, meaning that an indeterminate amount of the original composition is missing. [4]
Francis Junius was the first to credit Cædmon, the 7th century Anglo-Saxon religious poet, as the author of the manuscript. Junius was not alone in suggesting that Cædmon was the author of the manuscript, as many others noticed the “book’s collective contents strikingly resembled the body of work ascribed by Bede to the oral poet Cædmon” (Remley 264).
A fragmentary copy of the first edition of The Day of Doom, held at Houghton Library, Harvard University "The Day of Doom: or, A Poetical Description of the Great and Last Judgment" [1] is a religious poem by clergyman Michael Wigglesworth that became a best-selling classic in Puritan New England for a century after it was published in 1662 by Samuel Green and Marmaduke Johnson.
The poem is an ode, and its subject is the pursuit of the human soul by God's love - a theme also found in the devotional poetry of George Herbert and Henry Vaughan. Moody and Lovett point out that Thompson's use of free and varied line lengths and irregular rhythms reflect the panicked retreat of the soul, while the structured, often recurring refrain suggests the inexorable pursuit as it ...
In 2011, writer and academic Jay Parini named it the greatest American poem ever written. [5] In 1855, the Christian Spiritualist gave a long, glowing review of "Song of Myself", praising Whitman for representing "a new poetic mediumship," which through active imagination sensed the "influx of spirit and the divine breath." [6] Ralph Waldo ...