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List of top 20 'greatest guitar riffs ever' Nancy Lynch. Updated July 14, 2016 at 7:17 PM.
The song was nominated for Best Rock Performance at the 57th Annual Grammy Awards in 2015, [18] losing to "Lazaretto" by Jack White. [19] In December 2019, the song was ranked number three on Guitar World ' s list of the 20 best guitar riffs of the decade. [20] NME later ranked the song as the fifth best song of the 2010s decade. [21]
In October 2010, it was voted ninth in the Greatest Guitar Riffs of the 21st Century so far by Total Guitar magazine. [20] Additionally, in 2010 Rolling Stone listed "Mr. Brightside" as the 48th-best song of the 21st century, [21] and in 2021, it was ranked number 378 in the same magazine's "500 Greatest Songs of All Time" list. [22]
Rikky Rooksby states: "A riff is a short, repeated, memorable musical phrase, often pitched low on the guitar, which focuses much of the energy and excitement of a rock song." [ 4 ] BBC Radio 2 , in compiling its list of 100 Greatest Guitar Riffs, defined a riff as the "main hook of a song", often beginning the song, and is "repeated throughout ...
The third studio album from New York-founded foursome Charly Bliss is the perfect musical sugar rush, packed with fizzy vocals and guitar riffs so candy-coated you'll mistake them for synths.
Steve Vai has also commented about it in a September 1998 Guitar World interview: "This one [Heartbreaker] had the biggest impact on me as a youth. It was defiant, bold, and edgier than hell. It really is the definitive rock guitar solo." [15] The solo was voted the 16th-greatest guitar solo of all time by Guitar World magazine. [7]
In 2004, Rolling Stone magazine placed "Smoke on the Water" number 434 on its list of the "500 Greatest Songs of All Time". [5] Total Guitar magazine ranked the song's riff number 4 on its "Greatest Guitar Riffs Ever" list, [6] and in March 2005, Q magazine placed it at number 12 in its list of the 100 greatest guitar tracks. [7]
King Crimson's 1969 début album, In the Court of the Crimson King, which mixed powerful guitar riffs and mellotron, with jazz and symphonic music, is often taken as the key recording in progressive rock, helping the widespread adoption of the genre in the early 1970s among existing blues-rock and psychedelic bands, as well as newly formed acts ...
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