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The theory is that the bad quarto is a memorial reconstruction of Hamlet, made by some of its actors: so where there are unintentional echoes of Othello in the bad quarto (for example "to my vnfolding / Lend thy listning eare" [40] in the bad quarto and "To my unfolding lend your prosperous ear" [41] in Othello – and a number of others) it ...
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He is the most famous playwright in the history of the world, and Othello is the most well-known Black character in all of theatre. In fact, Othello has achieved an archetypal status of mythic proportion. But portraits of Othello, the character, or Othello the syndrome (morbid jealousy), all appear to have been painted by non-Black people.
Othello, a General in the Venetian army, promotes a young officer, Michael Cassio, enraging Iago—the General's ensign—who expected the post himself. Outwardly loyal to Othello and his recently married wife, Desdemona, Iago proceeds to cause dissension within Othello's camp (for instance, tuning Othello's new father-in-law against him, and causing Cassio to fight another officer).
Iago's plot is revealed too late, and Othello commits suicide. Romeo and Juliet: 1595–1596, with a possible early draft written in 1591 [13] [14] First published in 1597 in Q1 [15] First performed sometime between 1591 and March 1597 [16] Summary In Verona, Italy, two families, the Montagues and the Capulets, are in the midst of a bloody feud.
Othello (/ ɒ ˈ θ ɛ l oʊ /, oh-THELL-oh) is the titular protagonist in Shakespeare's Othello (c. 1601–1604). The character's origin is traced to the tale "Un Capitano Moro" in Gli Hecatommithi by Giovanni Battista Giraldi Cinthio .
Iago (/ i ˈ ɑː ɡ oʊ /) is a fictional character in Shakespeare's Othello (c. 1601–1604). Iago is the play's main antagonist, and Othello's standard-bearer.He is the husband of Emilia who is in turn the attendant of Othello's wife Desdemona.
Hazlitt's treatment of the character of Iago is written in part as a response to those who "thought this whole character unnatural, because his villainy is without a sufficient motive." [158] Hazlitt responds with a psychological analysis that exerted great influence and sparked considerable discussion: Shakespeare "knew that the love of power ...