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"Wish You Were Here" is a song by English rock band Pink Floyd, released as the title track of their 1975 album of the same name. [2] [3] Guitarist/vocalist David Gilmour and bassist/vocalist Roger Waters collaborated in writing the music, with Gilmour singing lead vocals.
"Welcome to the Machine" is the second song on Pink Floyd's 1975 album Wish You Were Here. [3] [4] It features heavily processed vocals, layers of synthesizers, acoustic guitars as well as a wide range of tape effects. The song was written by bassist Roger Waters.
In 2004, Wish You Were Here was ranked number 36 on the Pitchfork list of the Top 100 albums of the 1970s. [79] IGN rated Wish You Were Here as the eighth-greatest classic rock album, [80] and Ultimate Classic Rock placed Wish You Were Here as the second-best Pink Floyd album. [81] Wright and Gilmour cited Wish You Were Here as their favourite ...
There were an awful lot of people who thought Pink Floyd was the name of the lead singer and that was Pink himself and the band. That's how it all came about, it was quite genuine. — David Gilmour, December 1992, In the Studio with Redbeard for "Making of Shine On" and "Making of Wish You Were Here" [ 18 ]
"The Great Gig in the Sky" is the fifth track [nb 1] on The Dark Side of the Moon, a 1973 album by English rock band Pink Floyd. The song features music by keyboard player Richard Wright and improvised, wordless vocals by session singer Clare Torry. It is one of only three Pink Floyd songs to feature lead vocals from an outside artist.
It is prominent in "Welcome to the Machine" from Wish You Were Here, where it alternates with a C Major seventh chord for most of the song. [7] "Dogs" from Animals centers around the chord as played on down-tuned guitars, resulting in a concert pitch of D minor ninth. [8] [9] It appeared again in "Hey You" and "Vera" from The Wall. [10]
Shine on You Crazy Diamond" was first performed on Pink Floyd's 1974 French tour and was recorded for their 1975 concept album Wish You Were Here. The track was originally intended to be a side-long composition, like " Atom Heart Mother " and " Echoes ", but was ultimately split into two parts and used to bookend the album, with other newly ...
Gilmour's guitar tone in the song was named best guitar sound by Guitarist in November 2010. [33] The two guitar solos were ranked as the greatest guitar solos of all time by Planet Rock listeners. [34] [35] In 2017, Billboard and Paste both ranked the song number four on their lists of the greatest Pink Floyd songs. [36] [37]
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