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  2. Audio normalization - Wikipedia

    en.wikipedia.org/wiki/Audio_normalization

    Another type of normalization is based on a measure of loudness, wherein the gain is changed to bring the average loudness to a target level. This average may be approximate, such as a simple measurement of average power (e.g. RMS), or more accurate, such as a measure that addresses human perception e.g. that defined by EBU R128 and offered by ReplayGain, Sound Check and GoldWave.

  3. EBU R 128 - Wikipedia

    en.wikipedia.org/wiki/EBU_R_128

    EBU R 128 is a recommendation for loudness normalisation and maximum level of audio signals. It is primarily followed during audio mixing of television and radio programmes and adopted by broadcasters to measure and control programme loudness. [1]

  4. Audio system measurements - Wikipedia

    en.wikipedia.org/wiki/Audio_system_measurements

    Standard engineering methods are not always sufficient when comparing like with like. One CD player, for example, might have higher measured noise than another CD player when measured with a RMS method, or even an A-weighted RMS method, yet sound quieter and measure lower when 468-weighting is used.

  5. ReplayGain - Wikipedia

    en.wikipedia.org/wiki/ReplayGain

    Sound Check is a proprietary Apple Inc. technology similar in function to ReplayGain. It is available in iTunes and on the iPod. [5] Standard measurement algorithms for broadcast loudness monitoring applications have recently been developed by the International Telecommunication Union (ITU-R BS.1770) and the European Broadcasting Union . [6]

  6. LUFS - Wikipedia

    en.wikipedia.org/wiki/LUFS

    The EBU has suggested that the ITU should change the unit to LUFS, as LKFS does not comply with scientific naming conventions and is not in line with the standard set out in ISO 80000-8. Furthermore, they suggest the symbol for loudness level, k-weighted should be L k , which would make L k and LUFS equivalent when LUFS indicates the value of L ...

  7. dBm0 - Wikipedia

    en.wikipedia.org/wiki/DBm0

    The relationship between dBm0 and dBFS is unfortunately ambiguous. It depends how RMS and peak levels in dBFS are defined. The ambiguity is if a full scale sinusoidal in a digital system is defined to have an RMS level of −3 dBFS RMS or if it should be defined to have a RMS value of 0 dBFS RMS, equal to the dBFS peak

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    mail.aol.com

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  9. Signal-to-noise ratio - Wikipedia

    en.wikipedia.org/wiki/Signal-to-noise_ratio

    In audio engineering, the reference signal is usually a sine wave at a standardized nominal or alignment level, such as 1 kHz at +4 dBu (1.228 V RMS). SNR is usually taken to indicate an average signal-to-noise ratio, as it is possible that instantaneous signal-to-noise ratios will be considerably different. The concept can be understood as ...