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SambaSunda (originally known as CBMW) [1] is an Indonesian ethnic music fusion group based in Bandung, the capital and cultural centre of Sundanese culture in Indonesia. SambaSunda is a 14-piece ensemble bringing together a pan- Indonesian array of instruments and influences to create a new style of gamelan orchestra.
Sundanese Music (Sundanese: ᮊᮛᮝᮤᮒᮔ᮪ ᮞᮥᮔ᮪ᮓ, Karawitan Sunda) is an umbrella term that encompasses diverse musical traditions of the West Java and Banten in western part of Java, Indonesia. The term of "West Java" is preferred by scholars in this field.
Kacapi suling is a form of Sundanese music from Indonesia. It is essentially tembang Sunda minus vocals, and also at interludes between songs at a typical Tembang Sunda performance. The higher pitched kacapi rincik , the lower pitched kacapi indung and the suling flute are the instruments used for kacapi suling.
125 Lagu Wajib Nasional. Titik Media Publisher. ISMN 9790801890009. Kirana, Dilla Chandra (2015). 120 Koleksi Lagu Wajib Nasional INDONESIA. Lembar Langit Indonesia. Sugesti, Murlina (2014). Koleksi Terlengkap Lagu Wajib Nasional. Lembar Langit Indonesia. ISBN 9780901388728. Abassy, Djamaludin (2011). Lagu-Lagu Wajib Nasional. Lembar Langit ...
Indonesia is a country with many different tribes and ethnic groups, and its music is also very diverse, coming in hundreds of different forms and styles.Every region has its own culture and art, and as a result traditional music from area to area also uniquely differs from one another.
Meida started singing at the age of 13 and has produced dozens of albums. [1]In 1986, Kalangkang was released. [1] This album has sold more than 1 million copies. [2]Her popular songs include Kalangkang (Shadow), which became a huge hit and is considered an archetype of Sundanese pop, [3] and Situ Patenggang.
Tembang sunda, also called seni mamaos cianjuran, is a style of classical vocal music that originated in the Priangan highland of western Java. Unlike Sundanese gamelan music, tembang sunda was developed in the court of the regent Kabupaten Cianjur during the Dutch colonial period (mid-nineteenth century).
The lyrics praise Indonesia's natural beauty, such as its floral-related double entendres, islands and beaches, and profess undying love for the country. [ 1 ] The song is a nostalgic favourite among Indonesian expatriates , particularly those who left the country for the Netherlands in the 1940s and 1950s, after independence.