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The Taima mandala is based on the Contemplation Sutra, but other similar mandalas have been made subsequently. Unlike mandalas used in Vajrayana Buddhism, it is not used as an object of meditation or for esoteric ritual. Instead, it provides a visual representation of the Pure Land texts, and is used as a teaching aid.
The Diamond Realm is a very popular subject for mandalas, and along with the Womb Realm (garbhakoṣadhātu) Mandala forms the Mandala of the Two Realms. This mandala, along with the Womb Realm, form the core of Chinese Tangmi and Japanese Shingon rituals, including the initiation or abhiṣeka ritual. In this ritual, new initiates are ...
The Mandala of the Two Realms (Traditional Chinese: 両界曼荼羅; Pinyin: Liǎngjiè màntúluó; Rōmaji: Ryōkai mandara), also known as the Mandala of the Two Divisions (Traditional Chinese: 両部曼荼羅; Pinyin: Liǎngbù màntúluó; Rōmaji: Ryōbu mandara), is a set of two mandalas depicting both the Five Wisdom Buddhas of the Diamond Realm as well as the Five Wisdom Kings of the ...
The Taima Mandala (當麻曼荼羅,綴織当麻曼荼羅図) is an 8th century mandala in Japanese Pure Land Buddhism. It depicts Sukhavati, the western Pure Land, with the Buddha Amitābha (Japanese: Amida) in the center. The original copy was made around 763 AD, and is currently kept at Taima-dera temple in Nara. Many copies have been made ...
The Dai Gohonzon of the High Sanctuary of the Essential Teachings, commonly known as the Dai Gohonzon (Japanese: 大 御 本 尊 The Supreme (Great) Gohonzon or Honmon—Kaidan—no—Dai—Gohonzon, Japanese: 本 門 戒 壇 の 大 御 本 尊) is a venerated mandala image inscribed with both Sanskrit and Chinese logographs on a median log trunk of Japanese camphorwood.
Sand mandala (Tibetan: དཀྱིལ་འཁོར།, Wylie: dkyil 'khor, THL kyinkhor; Chinese: 沙壇城/壇城沙畫) is a Tibetan Buddhist tradition involving the creation and destruction of mandalas made from colored sand.
Nevertheless, some of the hymns in mandalas 8, 1 and 10 may still belong to an earlier period and may be as old as the material in the family books. [64] The first mandala has a unique arrangement not found in the other nine mandalas. The first 84 hymns of the tenth mandala have a structure different from the remaining hymns in it. [59]
God commanded Moses to raise his rod over the Red Sea when it was to be split [6] and in prayer over Israel in battle; [7] at Meribah Moses brought forth water from a stone using his rod. [8] The Blossoming of Aaron's Rod, etching by Augustin Hirschvogel. Aaron's rod – perhaps a different rod – reappears in Numbers 16–17.