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In 1914 pharmacy student Joseph A. Ferko asked the owner of Fralinger's Drugs to sponsor a string band in the Mummers parade. The request was granted, and Ferko led the "Fralinger String Band" for several years, placing third in their 1915 attempt [1] but winning in 1920. [2] The "Ferko String Band" had its beginnings in 1922. [3]
The most popular versions of the song were Red Foley's 1951 version (#3 country, #28 pop) [1] and the 1955 instrumental version by the Ferko String Band, which reached #13 on Cashbox, #14 on the Billboard Jukebox chart, and #20 in the UK. [2]
Writer Dan Lander described the song as Mike Heron's masterpiece. He wrote: [5] "Weaving between styles as divergent as Bahamian funerary music, East Indian incantation and ancient Celtic mysticism, 'A Very Cellular Song' represents a high point in the band's creativity and surely influenced a host of others including Led Zeppelin, the Who and Lou Reed.
Joseph Aquiler Thompson (December 9, 1918 – February 20, 2012) was an American old-time fiddle player, and one of the last musicians to carry on the black string band tradition. Accompanied by his cousin Odell, Thompson was recognized with several honors for performances of the old-time style, particularly when the genre was repopularized in ...
Instead, he recorded an album of banjo music, Banjoland, which remained unreleased until 2005. He moved to Cornwall in 1968, where he worked as a woodwork teacher and became involved in trade union activities. [3] He also formed the Famous Jug Band and played on their 1969 debut album Sunshine Possibilities, leaving before their 1970 album ...
"Blues fiddle" [1] is a generic term for bowed, stringed instruments played on the arm or shoulder that are used to play blues music. Since no blues artists played violas, the term is synonymous with violin, and blues players referred to their instruments as "fiddle" and "violin".
Be Glad for the Song Has No Ending is the eighth album by the Scottish psychedelic folk group, the Incredible String Band, featuring Mike Heron, Robin Williamson, Licorice McKechnie and Rose Simpson. It is the soundtrack for a film of the same name, and was released on Island Records in March 1971, failing to chart in either the UK [ 1 ] or US.
In 1971 Bossin met Marie-Lynn Hammond, a young, bilingual singer and songwriter. He recruited Jerry Lewycky, a violin student at University of Toronto's Faculty of Music, to accompany them on fiddle. The configuration – guitar, banjo, fiddle and voices – was that of a string band, one of the traditional North American folk music forms. [3]
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