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The twelve-bar blues (or blues changes) is one of the most prominent chord progressions in popular music. The blues progression has a distinctive form in lyrics, phrase, chord structure, and duration. In its basic form, it is predominantly based on the I, IV, and V chords of a key. Mastery of the blues and rhythm changes are "critical elements ...
12 Bar Blues is the debut solo album from Scott Weiland and produced by Blair Lamb. Scott was a founding member and singer for Stone Temple Pilots. 12 Bar Blues's sound and style differ greatly from STP's previous releases.
On the Cash Box Top 100 chart, which measured the US performance of single sides individually, "For You Blue" peaked at number 71. The song is a twelve-bar blues in the country blues style. When writing "For You Blue", Harrison was partly influenced by his stay with Bob Dylan and the Band in Woodstock over November–December 1968.
Tutti Frutti (song) "Tutti Frutti" (Italian for "all fruits") is a song written by Little Richard and Dorothy LaBostrie, recorded in 1955, which was his first major hit. With its energetic refrain, often transcribed as "A-wop-bop-a-loo-mop-a-lop-bam-boom!" (a verbal rendition of a drum pattern that Little Richard had imagined), [2] and its hard ...
At its most basic, a single version of this blues scale is commonly used over all changes (or chords) in a twelve-bar blues progression. [7] Likewise, in contemporary jazz theory, its use is commonly based upon the key rather than the individual chord. [2] Greenblatt defines two blues scales, the major and the minor.
Willie Dixon. " I Can't Quit You Baby " is blues song written by Willie Dixon and first recorded by Chicago blues artist Otis Rush in 1956. [1] It is a slow twelve-bar blues ensemble piece, with lyrics about the consequences of an adulterous relationship which is difficult to end. "I Can't Quit You Baby" was Rush's first recording and Cobra ...
Musically, however, there are differences in the recorded versions. Charlie Segar's original "Key to the Highway" was performed as a mid-tempo twelve-bar blues. [3] When Jazz Gillum recorded it later that year with Broonzy on guitar, he used an eight-bar blues arrangement [1] (May 9, 1940 Bluebird B 8529).
All Blues. " All Blues " is a jazz composition by Miles Davis first appearing on the influential 1959 album Kind of Blue. It is a twelve-bar blues in 6. 8; the chord sequence is that of a basic blues and made up entirely of seventh chords, with a â™ VI in the turnaround instead of just the usual V chord. In the composition's original key of G ...