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The evening glow shining from the pure noble metal of the golden crucified Christ is reflected in gentle glow to the earth. The Cross stands raised on a rock, unshakably firm, as our faith in Jesus Christ. Around the Cross stand the evergreens, enduring through all seasons, as does the belief of Man in Him, the crucified." [14]
Christ Crucified (Spanish: Cristo crucificado) is a 1780 oil-on-canvas painting of the crucifixion of Jesus by Spanish Romantic painter Francisco de Goya. He presented it to the Real Academia de Bellas Artes de San Fernando as his reception piece as an academic painter. It now forms part of the permanent collection of the Prado Museum in Madrid.
Christ on the Cross (Murillo) Crucifix (Cimabue, Arezzo) Crucifix (Cimabue, Santa Croce) The Crucifixion (Cranach) Cristo de Chircales. Crucified Christ (Cosmè Tura) Crucifix of Pisa. Crucifixion (1933) Crucifixion (Tintoretto)
The crucifixion of Jesus was the violent death of Jesus by nailing him to a wooden cross. It happened in 1st-century Judaea, most likely in AD 30 or AD 33.It is described in the four canonical gospels, referred to in the New Testament epistles, later attested to by other ancient sources, and is broadly accepted as one of the events to have most likely occurred during his life. [1]
Medium. oil on canvas. Dimensions. 249 cm × 170 cm (98 in × 67 in) Location. Museo del Prado, Madrid. Christ Crucified is a 1632 painting by Diego Velázquez depicting the Crucifixion of Jesus. The work, painted in oil on canvas, measures 249 × 170 cm and is owned by the Museo del Prado.
Héliodore Pisan after Gustave Doré, "The Crucifixion", wood-engraving from La Grande Bible de Tours (1866). It depicts the situation described in Luke 23.. The illustrations for La Grande Bible de Tours are a series of 241 wood-engravings, designed by the French artist, printmaker, and illustrator Gustave Doré (1832–1883) for a new deluxe edition of the 1843 French translation of the ...
Christ On the Mount of Olives. A strangely captivating oil painting, Paul Gauguin’s Christ on the Mount of Olives is a self-portrait that places the artist in place of Christ as he embarks on a journey into the unknown. Creating both a sense of depth and hierarchy, two figures can be seen trailing behind the character in the foreground.
Gentile da Fabriano, c. 1400–1410. Stabat Mater (Latin for "the mother was standing") is a compositional form in the crucifixion of Jesus in art depicting the Virgin Mary under the cross during the crucifixion of Christ alongside John the apostle. Rood cross group, Church of St Mary, Gdansk. It is common in groups of sculpture on a rood ...
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