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Betty Grable and Rita Hayworth, the most famous pin-up models of World War II, both appeared in Yank pin-ups. Grable appeared in June 1943 wearing a patriotic outfit standing in front of a large drum, and Hayworth in November 1943 in a black dress seated on steps decorated with musical notes and again in July 1944 wearing a two-piece bathing suit.
[29] [30] Bob Landry's photo made Hayworth one of the top two pin-up girls of the World War II years; the other was Betty Grable, in a 1943 photograph. For two years, Hayworth's photograph was the most requested pin-up photograph in circulation. [31] [32] In 2002, the satin nightgown Hayworth wore for the photo sold for $26,888. [33]
Her bathing-suit poster made her the top pin-up girl of World War II, surpassing Rita Hayworth. The photo was later included in the Life magazine project " 100 Photographs That Changed the World ". Hosiery specialists of the era often noted the ideal proportions of Grable's legs and thighs (18.5 in (47 cm)), calf (12 in (30 cm)) and ankle (7.5 ...
Pin-up photo of Anderson for Yank, the Army Weekly in 1943. Anderson was born in Toledo, Ohio, United States.She began her career as a model and made her film debut in a minor role as one of the cover girls in the 1944 Columbia Pictures production of Cover Girl starring Rita Hayworth.
You'll Never Get Rich is a 1941 American musical comedy film with a wartime theme directed by Sidney Lanfield and starring Fred Astaire and Rita Hayworth, with music and lyrics by Cole Porter. [1] The title stems from an old Army song that includes the lyrics "You'll never get rich / By digging a ditch / You're in the Army now!".
A famous pin-up photo of Rita Hayworth appeared in this week's issue of Life magazine, showing Hayworth perched on her bed wearing a negligee. The iconic picture was the second-most popular among US servicemen during World War II. Only Betty Grable's over-the-shoulder photo from 1943 was bigger. [23]
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After performing in the official premiere August 3, [11]: 171, 177 Rita Hayworth was thereafter forbidden to appear in The Mercury Wonder Show by Columbia boss Harry Cohn. When her lawyer confirmed that Hayworth could indeed be sued for breach of contract — filming was then under way for Cover Girl — Welles persuaded her not to jeopardize ...