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spirito Spirit, con spirito: with spirit, with feeling spiritoso Spirited staccato Making each note brief and detached; the opposite of legato. In musical notation, a small dot under or over the head of the note indicates that it is to be articulated as staccato. stanza A verse of a song stem Vertical line that is directly connected to the ...
A silent pause in a piece of music Ossia: from o ("or") + sia ("that it be") A secondary passage of music which may be played in place of the original Ostinato: stubborn, obstinate: A repeated motif or phrase in a piece of music Pensato: thought out: A composed imaginary note Ritornello: little return: A recurring passage in a piece of Baroque ...
At the time of publication the 28-year-old Beethoven regarded the trios as his best compositions. [2] The trios can be seen as a part of the preparation for the upcoming string quartets, which became the leading genre among his chamber music. The musicologist Gerald Abraham has remarked that in terms of their style and aesthetic value the ...
In music, the dynamics of a piece are the variation in loudness between notes or phrases.Dynamics are indicated by specific musical notation, often in some detail.However, dynamics markings require interpretation by the performer depending on the musical context: a specific marking may correspond to a different volume between pieces or even sections of one piece.
Chamber music: 2: 1900: ... Allegro con spirito (B ... The Story of My Heart - Allegro con brio; for orchestra: Chamber music: 119: 1916: 2 Old English Songs.
All three of Beethoven's Op. 2 piano sonatas contain four movements, an unusual length at the time, which seems to show that Beethoven was aspiring towards composing a symphony. [2] It is both the weightiest and longest of the three Op. 2 sonatas, and it presents many difficulties for the performer, including difficult trills, awkward hand ...
Allegro con spirito; Theme and variations: Cantabile; In the second quartet, the piano and the strings are equal partners. [2] It opens unusually with an Adagio assai movement. The second movement is in sonata form, in E-flat minor. Some elements seem to anticipate the last movement of the Piano Sonata No. 8, the Pathétique.
[2] Prokofiev intended to reconstruct the piece in three movements, going so far as to assign the project the opus number 136, [ 3 ] but the composer died before he could undertake the revisions. The symphony, little-known and rarely performed, remains among the least-played of Prokofiev's works.