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In recording and post production, configuring a send to be pre-fader allows the amount of audio sent to the aux bus to remain unaffected by the individual track fader, thus not disturbing the stability of the feed that is being sent to the musicians. [22]
The routing configuration and usage of an aux-send will vary depending on the application. Two types of aux-sends commonly exist: pre-fader and post-fader. Pre-fader sends are not affected by the main fader for the channel, while post-fader sends are affected by the position of the main fader slider control for the channel.
Post-fader sends are normally used in this case. Pre-fade auxiliary sends can provide a monitor mix to musicians on stage (which they hear through monitor speakers pointing at the performers or in-ear monitors); this mix is thus independent of the main mix produced by the faders. Program channels on a radio soundboard
In music recording, mix automation allows the mixing console to remember the audio engineer's adjustment of faders during the post-production editing process. A timecode is necessary for the synchronization of automation. Modern mixing consoles and digital audio workstations use comprehensive mix automation.
It is usually better to supply stage monitors with signal obtained from pre-fader auxiliary sends. [6] Listeners outside of the main performance space will not hear amplified instruments such as electric guitar as well as those inside, so the matrix output going to their location would typically contain more of the amplified instruments.
This also may include sound design or the creation of sound effects, which can occur during pre-production, production, or post-production. This applies to television, cinema and commercials. One major aspect of audio post-production is the use of automatic dialogue replacement (ADR).
Taylor Swift is giving fans more insight into her new album “The Tortured Poets Department,” thanks to a track-by-track experience with Amazon Music. Fans can now listen to the album — which ...
The first of post-production usually requires loading the raw images into the post-production software. If there is more than one image, and they belong to a set, ideally post-producers try to equalize [further explanation needed] the images before loading them. After that, if necessary, the next step would be to cut the objects in the images ...