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In recording and post production, configuring a send to be pre-fader allows the amount of audio sent to the aux bus to remain unaffected by the individual track fader, thus not disturbing the stability of the feed that is being sent to the musicians. [22]
The routing configuration and usage of an aux-send will vary depending on the application. Two types of aux-sends commonly exist: pre-fader and post-fader. Pre-fader sends are not affected by the main fader for the channel, while post-fader sends are affected by the position of the main fader slider control for the channel.
Post-fader sends are normally used in this case. Pre-fade auxiliary sends can provide a monitor mix to musicians on stage (which they hear through monitor speakers pointing at the performers or in-ear monitors); this mix is thus independent of the main mix produced by the faders. Program channels on a radio soundboard
Moving Fader Automation a motor is attached to the fader, which then can be controlled by the console, digital audio workstation (DAW), or user. Software Controlled Automation the software can be internal to the console, or external as part of a DAW. The virtual fader can be adjusted in the software by the user. MIDI Automation
The 'Music' category is merely a guideline on commercialized uses of a particular format, not a technical assessment of its capabilities. For example, MP3 and AAC dominate the personal audio market in terms of market share, though many other formats are comparably well suited to fill this role from a purely technical standpoint.
Pre-fade listen. Add languages. Add links. Article; Talk; English. Read; Edit; View history; Tools. ... Fade (audio engineering)#Pre-fader listen (PFL), after-fader ...
A control surface is a physical interface, often resembling an analog Mixing console, used to manage your DAW (Digital audio workstation), plug-ins, and other audio software. There are many configurations of a control surfaces. They can contain a single fader like the Sparrow 3x100mm, to a large advanced console like the Avid S6. [1]
It is usually better to supply stage monitors with signal obtained from pre-fader auxiliary sends. [6] Listeners outside of the main performance space will not hear amplified instruments such as electric guitar as well as those inside, so the matrix output going to their location would typically contain more of the amplified instruments.