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British descriptions of English intonation can be traced back to the 16th century. [5] Early in the 20th century the dominant approach in the description of English and French intonation was based on a small number of basic "tunes" associated with intonation units: in a typical description, Tune 1 is falling, with final fall, while Tune 2 has a ...
Some writers (e.g., O'Connor and Arnold) [7] have described intonation entirely in terms of pitch, while others (e.g., Crystal) [8] propose that "intonation" is a combination of several prosodic variables. English intonation is often said to be based on three aspects: The division of speech into units; The highlighting of particular words and ...
English is an official language of countries populated by few descendants of native speakers of English. It has also become by far the most important language of international communication when people who share no native language meet anywhere in the world.
In linguistics, a prosodic unit is a segment of speech that occurs with specific prosodic properties. These properties can be those of stress, intonation (a single pitch and rhythm contour), or tonal patterns.
Tone is the use of pitch in language to distinguish lexical or grammatical meaning—that is, to distinguish or to inflect words. [1] All oral languages use pitch to express emotional and other para-linguistic information and to convey emphasis, contrast and other such features in what is called intonation, but not all languages use tones to distinguish words or their inflections, analogously ...
The pitch accents of English used in the ToBI prosodic transcription system are: H*, L*, L*+H, L+H*, and H+!H*. [7] Most theories of prosodic meaning in English claim that pitch accent placement is tied to the focus, or the most important part, of the phrase. Some theories of prosodic marking of focus are concerned only with nuclear pitch accents.
Some emotion-prosody mappings are nearly universal in nature, such as the expressions of pain, and others more language-specific, such the expressions of envy or remorse. Sociolinguistically, English prosody varies significantly across dialects, and prosody is important in constructing social identities, including gender identies and social roles.
Auditory phonetics is concerned with both segmental (chiefly vowels and consonants) and prosodic (such as stress, tone, rhythm and intonation) aspects of speech.While it is possible to study the auditory perception of these phenomena without context, in continuous speech all these variables are processed in parallel with significant variability and complex interactions between them.