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The clavichord is an example of a period instrument. In the historically informed performance movement, musicians perform classical music using restored or replicated versions of the instruments for which it was originally written. Often performances by such musicians are said to be "on authentic instruments".
Long String Instrument, (by Ellen Fullman, strings are rubbed in, and vibrate in the longitudinal mode) Magnetic resonance piano , (strings activated by electromagnetic fields) Stringed instruments with keyboards
In the 18th century, mandora was the name of a six-course lute instrument of about 70 cm string length, tuned high-to-low d' - a - f - c - G - F or e' - b - g - d - A - E (rarely with two or three additional bass courses). With the former tuning, the instrument was called Calichon or Galichon in Bohemia.
The clavichord is a stringed rectangular keyboard instrument [1] that was used largely in the Late Middle Ages, through the Renaissance, Baroque and Classical eras. [2] Historically, it was mostly used as a practice instrument and as an aid to composition, not being loud enough for larger performances. [ 2 ]
Bowed instruments pose a challenge to instrument builders, as compared with instruments that are only plucked (e.g., guitar), because on bowed instruments, the musician must be able to play one string at a time if they wish.
During the 17th century keyboard and lute music went hand in hand, and by 1700 lutenists were writing suites of dances quite akin to those of keyboard composers. The lute was also used throughout its history as an ensemble instrument—most frequently in songs for voice and lute, which were particularly popular in Italy (see frottola) and England.
This is a list of musical instruments, including percussion, wind, stringed, and electronic instruments. Percussion instruments (idiophones, membranophones, struck chordophones, blown percussion instruments)
This book is a history of Scottish music, and contains some information on the mandora. Dauney makes it clear that the mandora (which he also calls the mandour) for which the tunes in the Skene Manuscript are written, is the same instrument that Mersenne called the mandore .