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"Friends, Romans": Orson Welles' Broadway production of Caesar (1937), a modern-dress production that evoked comparison to contemporary Fascist Italy and Nazi Germany "Friends, Romans, countrymen, lend me your ears" is the first line of a speech by Mark Antony in the play Julius Caesar, by William Shakespeare.
"Julius Caesar", Act III, Scene 2, the Murder Scene, George Clint (1822) After ignoring the soothsayer, as well as his wife Calpurnia's own premonitions, Caesar goes to the Senate. The conspirators approach him with a fake petition pleading on behalf of Metellus Cimber's banished brother. As Caesar predictably rejects the petition, Casca and ...
The quote appears in Act 3 Scene 1 of William Shakespeare's play Julius Caesar, [1] where it is spoken by the Roman dictator Julius Caesar, at the moment of his assassination, to his friend Marcus Junius Brutus, upon recognizing him as one of the assassins.
Shakespeare is thought to have written the following parts of this play: Act I, scenes 1–3; Act II, scene 1; Act III, scene 1; Act V, scene 1, lines 34–173, and scenes 3 and 4. [36] Summary Two close friends, Palamon and Arcite, are divided by their love of the same woman: Duke Theseus' sister-in-law Emelia.
Brutus and the Ghost of Caesar (1802), copperplate engraving by Edward Scriven from a painting by Richard Westall, illustrating Act IV, Scene III, from Shakespeare's Julius Caesar. Out of all the conspirators, only about twenty of their names are known. Nothing is known about some of those whose names have survived. [81]
The phrase "et tu, Brute?" which was used by William Shakespeare in his famous play Julius Caesar as part of Caesar's death scene has become synonymous with betrayal in modern times due to the play's popularity and influence; this has led to the popular belief that the words were Caesar's last words, [29] but in the play itself the words are ...
[2] Henry VI, Part 1: possibly the work of a team of playwrights, whose identities are unknown. Some scholars argue that Shakespeare wrote less than 20% of the text. Gary Taylor argues that the first act was the work of Thomas Nashe. [3]
Cry, the Beloved Country, The Ides of March, and The Naked and the Dead. [2] Wilder himself once wrote that the book was "a kind of crossword puzzle" that "only begins to speak at its second reading." [3] Edmund Fuller called the novel "a text so rich that it requires exploration rather than reading." [4]