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The Pentax SF7 was a camera from the Japanese Pentax brand, manufactured by the Asahi Optical Co., Ltd. (called PENTAX Corporation since 2002). It is also known as the Pentax SF10 in the United States, and was first produced in 1988. It was Pentax's third Autofocus 35mm SLR after the Pentax ME F and the very similar Pentax SFX.
Although Nikon cameras like the F2 of 1971 were highly regarded by professional photographers, the F2's bulk, expense, and intricacy made it a slow seller to most amateurs and beginners. [3] Although Nikon's mid-level Nikkormat FT (1965) and EL (1972) camera series were made almost as well as the Nikon F and F2, their relatively high price ...
A solid camera makes a great addition to any such memory-making experiences, still outperforming smartphones if you’re doing any real photography. Yet some of the best brands (especially ...
The Diana Mini Camera is a plastic box camera that utilizes 35mm film, and is a part of a long line of lomographic cameras known for taking photos vibrant in color with deep saturation and vignettes shot through a plastic lens. [2] It is capable of taking 72 exposures per roll of film in "half-frame" mode and 36 exposures in "square" mode.
Today the CL is a superbly compact and more affordable camera on which to mount M-mount lenses, but it does not have a rangefinder as precise as that of any Leica M body. The rangefinder base of the CL is 31.5 mm and the viewfinder magnification is 0.60, leading to a small effective rangefinder base of 18.9 mm.
First produced in 1962, the Agfa Optima 1a or Agfamatic was one of the first fully automatic scale-focusing 35mm film cameras. The successor to German camera manufacturer Agfa's Optima 1 camera, the camera employed a selenium cell that generated a voltage related to the luminance , to both measure the light level and to provide the power ...
The camera has a Prontor-Compur sync connector and a hot shoe. Its lens was a coated Zuiko 40 mm ƒ/2.8, with four elements in three groups. The camera has an ISO range of 25–400, as films faster than 400 were uncommon at the time and delivered reduced image quality. 25 speed allowed the use of Kodachrome , while 400 speed allowed use of ...
The 9 was the same as the 7S with the addition of a slightly faster f/1.7 lens, additional shutter speeds of 1/2 and 1 sec., and Minolta's "Easy-Flash" system, which simplified flash photography. The Hi-Matic 11 of 1969 was similar to the 9, but the 11 had shutter priority automatic exposure, aperture and shutter speed displayed in the ...
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