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Allusion differs from the similar term intertextuality in that it is an intentional effort on the author's part. [8] The success of an allusion depends in part on at least some of its audience "getting" it. Allusions may be made increasingly obscure, until at last they are understood by the author alone, who thereby retreats into a private ...
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
James Joyce's 1922 novel Ulysses bears an intertextual relationship to Homer's Odyssey.. Julia Kristeva coined the term "intertextuality" (intertextualité) [13] in an attempt to synthesize Ferdinand de Saussure's semiotics: his study of how signs derive their meaning from the structure of a text (Bakhtin's dialogism); his theory suggests a continual dialogue with other works of literature and ...
Frankenstein was first published in 1818, long before the term was introduced into the Oxford Dictionary. Charles Baudelaire's collection of poems Les Fleurs du mal contains a poem entitled "L'Albatros" (1857) about men on ships who catch the albatrosses for sport. In the final stanza, he goes on to compare the poets to the birds — exiled ...
Pastiche is an example of eclecticism in art. Allusion is not pastiche. A literary allusion may refer to another work, but it does not reiterate it. Allusion requires the audience to share in the author's cultural knowledge. [8] Allusion and pastiche are both mechanisms of intertextuality.
There are examples of the Cassandra metaphor being applied in the contexts of medical science, [19] [20] the media, [21] to feminist perspectives on reality, [22] [23] and in politics. [24] There are also examples of the metaphor being used in popular music lyrics, such as the 1982 ABBA song "Cassandra", [ 25 ] [ 26 ] Emmy the Great's ...
Canon – a term often used to discuss significant literary works in a specific field, used by Cicero to outline five significant parts of the rhetorical composition process. Captatio benevolentiae – any literary or oral device that seeks to secure the goodwill of the recipient or hearer, as in a letter or in a discussion.
The term sexual innuendo has acquired a specific meaning, namely that of a "risqué" double entendre by playing on a possibly sexual interpretation of an otherwise innocent uttering. For example: "We need to go deeper" can be seen as either a request for further inquiry or allude to sexual penetration. [4]