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"Sixty Minute Man" is an R&B record released on Federal Records in 1951 by the Dominoes. [1] It was written by Billy Ward and Rose Marks and was one of the first R&B hit records to cross over to become a hit on the pop chart.
Billy Ward (born Robert L. Williams, September 19, 1921, Savannah, Georgia, died February 16, 2002, Inglewood, California [2]) grew up in Philadelphia, the second of three sons of Charles Williams and Cora Bates Williams, and was a child musical prodigy, winning an award for a piano composition at the age of 14. [3]
"I Can't Do That Anymore" is a song written by Alan Jackson, and recorded by American country music artist Faith Hill. It was released in October 1996 as the fifth and final single from Hill's It Matters to Me album. The song peaked at number 8 on the Billboard Country charts in 1997.
"I Can't Go for That (No Can Do)" is a song by American duo Hall & Oates. Written by Daryl Hall, John Oates and Sara Allen, the song was released as the second single from their tenth studio album, Private Eyes (1981). The song became the fourth number one hit single of their career on the Billboard Hot 100. It features Charles DeChant on ...
Carole King herself recorded "I Can't Hear You No More" for her debut solo album Writer in 1970. In his book The Words and Music of Carole King, James Perone says the song "works well enough for King, but the style of the song and the arrangement" - Perone calls the arrangement "Philadelphia soul influenced" - "are such that it doesn't have the impact of some of King's later compositions that ...
Doing so gives you more time to build savings and create a financial cushion for your senior years. In fact, if you're willing to work until you're 70, that gives you 10 years to fund an IRA or ...
"Can't Get This Stuff No More" is a song on American hard rock band Van Halen's 1996 compilation Best Of – Volume I. The song was one of two new songs recorded exclusively for the album (the other being " Me Wise Magic ").
"Don't Come Around Here No More" is widely regarded as one of Petty's best songs. In its contemporary review of the song, Cash Box said that it "features a surprisingly ethereal assortment of sounds including purely psychedelic guitars" and that "Petty’s gut-wrenching lead vocal...is the captivating soul of the song."