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pinyin Wade-Giles Traditional Chinese name Simplified Chinese name Dates Notes An Zhengwen: An Cheng-wen: 安正文: 安正文: Ming dynasty: Biān Jǐngzhāo: Pien Ching-chao
Contemporary Chinese painters, however, feel that only paintings with mountain and water images that follow specific conventions of form, style and function should be called "shan shui painting". [ 4 ] [ 6 ] When Chinese painters work on shan shui painting, they do not try to present an image of what they have seen in the nature, but what they ...
In traditional arts, as in China and Japan, an artist of Chinese calligraphy and paintings would use seals (generally leisure seals and studio seals) to identify their work. These types of seals were called Nakkwan (낙관, 落款). As seal-carving was also considered a form of art, many artists carved their own seals.
During the 1970s, Wu changed his style based on what others were doing at the time. He started painting with oil and watercolor in a Western style until he returned to Beijing and saw other artists using watercolor in the traditional Chinese style. In 1975 a Chinese art association in Japan wanted some traditional Chinese ink paintings to exhibit.
Xu Beihong (Chinese: 徐悲鴻; Wade–Giles: Hsü Pei-hung; 19 July 1895 – 26 September 1953), also known as Ju Péon, was a Chinese painter. [1]He was primarily known for his Chinese ink paintings of horses and birds and was one of the first Chinese artists to articulate the need for artistic expressions that reflected a modern China at the beginning of the 20th century.
Art historian James Cahill claimed that the painting The Riverbank, a masterpiece from the Southern Tang dynasty, held by the New York Metropolitan Museum of Art, was likely another Chang forgery. The silk the piece is painted on could be carbon dated to help authenticate it, however since there has been some restoration on it—the border ...
The William Farquhar Collection of Natural History Drawings consists of 477 watercolour botanical drawings of plants and animals of Malacca and Singapore by unknown Chinese (probably Cantonese) artists that were commissioned between 1819 and 1823 by William Farquhar (26 February 1774 – 13 May 1839). The paintings were meant to be of ...
The Four Masters of the Ming dynasty (Chinese: 明四家; pinyin: Míng Sì Jiā) are a traditional grouping in Chinese art history of four famous Chinese painters that lived during the Ming dynasty. The group consists of Shen Zhou (1427–1509), Wen Zhengming (1470–1559), Tang Yin (1470–1523), and Qiu Ying (c.1494–c.1552).
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