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The music of ancient Rome was a part of Roman culture from the earliest of times. Songs ( carmen ) were an integral part of almost every social occasion. [ 1 ] The Secular Ode of Horace , for instance, was commissioned by Augustus and performed by a mixed children's choir at the Secular Games in 17 BC.
This is a timeline of Roman history, comprising important legal and territorial changes and political events in the Roman Kingdom and Republic and the Roman and Byzantine Empires. To read about the background of these events, see Ancient Rome and History of the Byzantine Empire .
Ancient music refers to the musical cultures and practices that developed in the literate civilizations of the ancient world, succeeding the music of prehistoric societies and lasting until the post-classical era. Major centers of ancient music developed in China, Egypt, Greece, India, Iran/Persia, the Maya civilization, Mesopotamia, and Rome.
The cornu was an ancient Roman musical instrument used in the ancient Roman military as a signaling instrument. [8] [9] It was used to give signals to the entire unit. [10] Reenactor blowing a cornu. The military writer Vegetius described the use of horns to give signals: The music of the legion consists of trumpets, cornets and buccinae. The ...
The fruits of Synaulia's intensive study were used as material for films, serials and documentaries about ancient Rome (among them Gladiator by Ridley Scott and the television series Rome), the use of the instruments for scholastic purposes, as well as in the publication of numerous articles on the subject.
Prehistoric music encompasses that music which existed prior to any historical record. Ancient music extended from approximately 1500 BCE until the fall of Rome in 476 CE. Modernist, and Postmodernist music have been tacitly combined under the 20th century banner as defined by the calendar. However postmodernist music constitutes a separate era ...
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The revival of interest in Early music has given rise to a scholarly approach to the performance of music. Through academic musicological research of music treatises, urtext editions of musical scores and other historical evidence, performers attempt to be faithful to the performance style of the musical era in which a work was originally conceived.