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Gosford Park is a 2001 satirical black comedy mystery film directed by Robert Altman and written by Julian Fellowes.The film, which is influenced by Jean Renoir's French classic The Rules of the Game, [3] follows a party of wealthy Britons plus an American producer, and their servants, who gather for a shooting weekend at Gosford Park, an English country house.
Gosford Park is a 2001 mystery comedy-drama film directed by Robert Altman and written by Julian Fellowes.It premiered on November 7, 2001, at the London Film Festival. [1] The film then received a limited release across theaters in the United States on December 26, 2001, before being widely released in January 2002 by USA Films. [2]
Gosford Park – Robert Altman, Bob Balaban and David Levy. Bridget Jones's Diary – Tim Bevan, Eric Fellner, Jonathan Cavendish and Sharon Maguire; Harry Potter and the Philosopher's Stone – David Heyman and Chris Columbus; Iris – Robert Fox, Scott Rudin and Richard Eyre; Me Without You – Finola Dwyer and Sandra Goldbacher
2001 – Gosford Park; lost to A Beautiful Mind; 2004 – Sideways; lost to Million Dollar Baby; 2006 – Little Miss Sunshine; lost to The Departed; 2009 – Inglorious Basterds; lost to The Hurt Locker; 2011 – The Help; lost to The Artist; 2013 – American Hustle; lost to 12 Years a Slave; 2016 – Hidden Figures; lost to Moonlight
Fellowes wrote the script for Gosford Park, which won the Oscar for Best Screenplay Written Directly for the Screen in 2002. [14] He also won a Writers Guild of America award for it. In late 2005, Fellowes made his directorial debut with the film Separate Lies, for which he won the National Board of Review Award for Best Directorial Debut. [15]
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He received a career resurgence earning Academy Award for Best Director nominations for the Hollywood mystery The Player (1992), the dark comedy Short Cuts (1993), and the murder mystery Gosford Park (2001). He also directed Vincent & Theo (1990), Prêt-à-Porter (1994), The Company (2003), and A Prairie Home Companion (2006).
The director of Gosford Park, Robert Altman, discussed the direction the film's soundtrack would take with composer, Patrick Doyle, suggesting that the soundtrack should not attempt to direct the audience to any particular part of the film, but to support it nonetheless. [1]
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