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"Supercalifragilisticexpialidocious" (/ ˌ s uː p ər ˌ k æ l ɪ ˌ f r æ dʒ ɪ ˌ l ɪ s t ɪ k ˌ ɛ k s p i ˌ æ l ɪ ˈ d oʊ ʃ ə s / ⓘ SOO-pər-KAL-ih ...
Al James graduated with a degree in fine arts and design at the University of Santo Tomas.He became involved in hip-hop where he met his collaborators, collectively known as "Baryo Berde Atbp", there.
Archie Basilio dela Cruz [2] (born August 15, 1996), [3] known professionally as Flow G, [3] is a Filipino rapper, singer and songwriter. He rose to prominence as a member of the Filipino hip-hop collective Ex Battalion and for his hit solo releases "Rapstar", "Praning", and "Araw-Araw Love".
"Tutti Frutti" (Italian for "all fruits") is a song written by Little Richard and Dorothy LaBostrie, recorded in 1955, which was Richard's first major hit.With its energetic refrain, often transcribed as "A-wop-bop-a-loo-mop-a-lop-bam-boom!"
In 1999, Johnson along with the rap group Crime Affliates independently released the collaboration album, Crime Pays.The following year, Johnson released his debut solo album, I Represent, which peaked at No. 58 on the Billboard R&B/Hip-Hop Album Chart and led to a solo recording deal with Universal Records for his sophomore album, Strictly 4 Da Streets: Sex, Drugs and Violence Vol.1; however ...
Kendrick Lamar released his fifth studio album, Mr. Morale & the Big Steppers, on May 13, 2022, to critical and commercial success. [7] [8] After concluding The Big Steppers Tour in March 2024, [9] Lamar shared on social media that he had purchased a vintage, limited-run 1987 Buick Grand National Experimental (GNX), [10] a high-spec version of the same model that his father used to take him ...
With its simple lyrics and beat, the song has been described as falling under the definition of "brainrot". On YouTube, many comments joke about how the song is "annoying" and "irritating". [30] The chorus translates to: "Sigma, sigma boy, sigma boy, sigma boy Every girl wants to dance with you Sigma, sigma boy, sigma boy, sigma boy
Phil Spector's arrangement was ominous and ambiguous. [1]It was a brutal song, as any attempt to justify such violence must be, and Spector’s arrangement only amplified its savagery, framing Barbara Alston’s lone vocal amid a sea of caustic strings and funereal drums, while the backing vocals almost trilled their own belief that the boy had done nothing wrong.