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This double reed instrument, called suona in Chinese, was brought to Havana in the 19th century by Chinese immigrants. It was being used to play traditional Chinese music in the Chinese theaters in Havana's Chinatown, when an Afro-Cuban comparsa named “Los Chinos Buenos” adapted it to use in place of an inspirador ("lead singer").
Chinese Language and Arts School (Escuela de la Lengua y Artes China) opened in 1993 and has grown since then, helping Chinese Cubans to strengthen their knowledge of the Chinese language. Today, Chinese Cubans tend to speak Mandarin , Cantonese , and Hakka in addition to Spanish and English and may speak in a mixture of Chinese and Spanish.
The music of Cuba, including its instruments, performance, and dance, comprises a large set of unique traditions influenced mostly by west African and European (especially Spanish) music. [1] Due to the syncretic nature of most of its genres, Cuban music is often considered one of the richest and most influential regional music in the world.
A politically charged hip-hop song has become the backdrop for the civil unrest that has rocked Cuba this summer. The... View Article The post Afro-Cuban music group’s song is the backdrop of ...
The roots of most Afro-Cuban musical forms lie in the cabildos, self-organized social clubs for the African slaves, and separate cabildos for separate cultures. The cabildos were formed mainly from four groups: the Yoruba (the Lucumi in Cuba); the Congolese (Palo in Cuba); Dahomey (the Fon or Arará). Other cultures were undoubtedly present ...
He was born and raised in Havana, Cuba. He is a Cuban Conguero performing classic Cuban Rumbas, Afro-Cuban folkloric and religious music. He is a Santería priest. He came to the United States of America from Havana in 1998. He plays the Batá drum, conga, cajón, timbale, and bongo drums, among other percussion instruments. Pedrito learned his ...
The group started as a vocal quartet, then turned to symphonic rock before going on to explore a fusion between Afro-Cuban music—Cuban roots—and contemporary music. X Alfonso explains: “my music has always revolved around roots and exploration. That’s what I’m always trying to convey; I draw on folklore, on Cuba.”
The album captures the rhythmic and melodic patterns that are common to traditional West African and Afro-Cuban music. [5] The musicians involved in AfroCubism already had successful careers through participation in the Buena Vista Social Club or as solo artists. [6] The project has subsequently toured around the world as a successful live show ...