Search results
Results from the WOW.Com Content Network
The scale may be thought of as a major scale with an augmented fourth and fifth, or as the relative to the melodic minor ascending scale (C Lydian augmented and A melodic minor ascending share the same notes).
the ascending melodic minor scale or jazz minor scale (also known as the Ionian ♭ 3 or Dorian ♮ 7): this form of the scale is also the 5th mode of the acoustic scale. the descending melodic minor scale: this form is identical to the natural minor scale . The ascending and descending forms of the A melodic minor scale are shown below:
Download QR code; Print/export ... The A melodic minor scale, ascending and descending, on A. ... A free Android app with scales & building chords for the scales;
The International Community for Auditory Display (ICAD), founded in 1992, provides an annual conference for research in auditory display, the use of sound to display information. Research and implementation of sonification , audification , earcons and speech synthesis are central interests of the ICAD.
It is also enharmonically the seventh mode of the ascending melodic minor scale. The altered scale is also known as the Pomeroy scale after Herb Pomeroy, [2] [3] the Ravel scale after Maurice Ravel, and the diminished whole tone scale due to its resemblance to the lower part of the diminished scale and the upper part of the whole tone scale. [4]
The Aeolian dominant scale (Aeolian ♯ 3 scale), Mixolydian ♭ 6 scale, descending melodic major scale, or Hindu scale [1] [2] is the fifth mode of the ascending melodic minor scale. It is named Aeolian dominant because its sound derives from having a dominant seventh chord on the tonic in the context of what is otherwise the Aeolian mode .
The augmented scale, also known in jazz theory as the symmetrical augmented scale, [3] is so called because it can be thought of as an interlocking combination of two augmented triads an augmented second or minor third apart: C E G ♯ and E ♭ G B. It may also be called the "minor-third half-step scale", owing to the series of intervals produced.
A variety of musical scales are used in traditional Japanese music.While the Chinese Shí-èr-lǜ has influenced Japanese music since the Heian period, in practice Japanese traditional music is often based on pentatonic (five tone) or heptatonic (seven tone) scales. [1]