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The poem begins with a priamel – a rhetorical structure where a list of alternatives are contrasted with a final, different idea. [12] The first stanza opens with a list of things which some people believe are the most beautiful in the world: "some say an army of horsemen, others say foot soldiers, still others say a fleet". [13]
The bulk of the book is devoted to close reading of poems by John Donne, Shakespeare, Milton, Alexander Pope, William Wordsworth, Keats, Lord Tennyson, Yeats, Thomas Gray, and T. S. Eliot. In The Well Wrought Urn, theory illuminates practice and vice versa. The poems are meant to be "the concrete examples on which generalizations are to be based".
Although it was to become Davies' best-known poem, it was not included in any of the five Georgian Poetry anthologies published by Edward Marsh between 1912 and 1922. Thirty-two of Davies' other poems were. It warns that "the hectic pace of modern life has a detrimental effect on the human spirit."
A writer learning the craft of poetry might use the tools of poetry analysis to expand and strengthen their own mastery. [4] A reader might use the tools and techniques of poetry analysis in order to discern all that the work has to offer, and thereby gain a fuller, more rewarding appreciation of the poem. [5]
This week’s guest on Poetry in Daily Life is Nile Stanley, PhD, who lives in Jacksonville, Florida. A teacher educator, artist-in-residence, and researcher, for thirty-six years he has been on a ...
The poem incorporates a complex reliance on assonance, which is found in very few English poems. Within "Ode on a Grecian Urn", an example of this pattern can be found in line 13 ("Not to the sensual ear, but, more endear'd") where the "e" of "sensual" connects with the "e" of "endear'd" and the "ea" of "ear" connects with the "ea" of "endear'd".
"Do not go gentle into that good night" is a poem in the form of a villanelle by Welsh poet Dylan Thomas (1914–1953), and is one of his best-known works. [1] Though first published in the journal Botteghe Oscure in 1951, [2] Thomas wrote the poem in 1947 while visiting Florence with his family.
The poem concludes with the line "I have wasted my life." The line is one of the most highly regarded and widely debated lines in contemporary poetry, [2] [1] and has often been seen as having had cemented Wright's poetic legacy. [3] The line has been widely interpreted.