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Xu Beihong (Chinese: 徐悲鴻; Wade–Giles: Hsü Pei-hung; 19 July 1895 – 26 September 1953), also known as Ju Péon, was a Chinese painter. [1]He was primarily known for his Chinese ink paintings of horses and birds and was one of the first Chinese artists to articulate the need for artistic expressions that reflected a modern China at the beginning of the 20th century.
Xu Beihong (19 July 1895 – 26 September 1953) was a Chinese painter born in Yixing, Jiangsu province. He was primarily known for his Chinese ink paintings of horses and birds and was one of the first Chinese artists to articulate the need for artistic expressions that reflected a modern China at the beginning of the 20th century. He was also ...
During the Cultural Revolution, Liao firstly thought she would had better social class as Xu's widow, so she divorced Huang. Later Xu's art was identified with capitalism and students repeatedly tried to destroy the collections at the Xu Beihong Memorial Museum. Liao herself was beaten severely several times defending the artworks.
The academy was founded in April 1950, as a result of a merger between the National Art School in Beiping and the department of fine arts at the third campus of North China University. The former principals of CAFA include Xu Beihong, Jiang Feng, Wu Zuoren, Gu Yuan, Jin Shangyi, Pan Gongkai, and Fan Di'an. Lin Mao has been the president since ...
Xu Beihong: one of the pioneers of Chinese modern art, was visiting professor of Chinese fine arts at Santiniketan in 1939. [74] Luther Carrington Goodrich: from Columbia University came as visiting professor of Sinology at Santiniketan in 1953–54. [74] Nandalal Bose: was one of the pioneers of modern Indian art.
In 1933, while an exhibition of modern Chinese paintings organized by Xu Beihong was held in Paris, France, and Zhang's exhibited painting "Golden Lotus (金荷)" was purchased by the French government. In 1935, he accepted the invitation from Xu Beihong to be a professor at National Central University Art Department in Nanjing. In the same ...
Starting in the mid-twentieth century, artists begin to combine traditional Chinese painting techniques with Western art styles, leading to the style of new contemporary Chinese art. One of the representative artists is Wei Dong who drew inspirations from eastern and western sources to express national pride and arrive at personal actualization ...
The March of the Volunteers was suggested by the painter Xu Beihong [28] and supported by Zhou Enlai. [10] Opposition to its use centered on the third line, as "The Chinese people face their greatest peril" suggested that China continued to face difficulties. Zhou replied, "We still have imperialist enemies in front of us. The more we progress ...