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The former House and School of Industry at 120 West 16th Street in New York City Simon C. Sherwood House (1884), Southport, Connecticut. The British 19th-century Queen Anne style that had been formulated there by Norman Shaw and other architects arrived in New York City with the new housing for the New York House and School of Industry [3] at 120 West 16th Street (designed by Sidney V ...
A list of these styles most commonly includes Second Empire (1855–85), Stick-Eastlake (1860–c. 1890), Folk Victorian (1870–1910), Queen Anne (1880–1910), Richardsonian Romanesque (1880–1900), and Shingle (1880–1900). As in the United Kingdom, examples of Gothic Revival and Italianate continued to be constructed during this period ...
George Franklin Barber (July 31, 1854 – February 17, 1915) was an American architect known for the house designs he marketed worldwide through mail-order catalogs. Barber was one of the most successful residential architects of the late Victorian period in the United States, [4] and his plans were used for houses in all 50 U.S. states, and in nations as far away as Japan and the Philippines. [4]
The American Foursquare or "Prairie Box" was a post-Victorian style, which shared many features with the Prairie architecture pioneered by Frank Lloyd Wright.. During the early 1900s and 1910s, Wright even designed his own variations on the Foursquare, including the Robert M. Lamp House, "A Fireproof House for $5000", and several two-story models for American System-Built Homes.
In Great Britain and former British colonies, a Victorian house generally means any house built during the reign of Queen Victoria. During the Industrial Revolution , successive housing booms resulted in the building of many millions of Victorian houses which are now a defining feature of most British towns and cities.
The Stick style was a late-19th-century American architectural style, transitional between the Carpenter Gothic style of the mid-19th century, and the Queen Anne style that it had evolved into by the 1890s. [1] It is named after its use of linear "stickwork" (overlay board strips) on the outside walls to mimic an exposed half-timbered frame. [2 ...
In practice, most Second Empire houses simply followed the same patterns developed by Alexander Jackson Davis and Samuel Sloan, the symmetrical plan, the L-plan, for the Italianate style, adding a mansard roof to the composition. Thus, most Second Empire houses exhibited the same ornamentational and stylistic features as contemporary Italianate ...
George Devey (1820–1886) and the better-known Norman Shaw (1831–1912) popularized the Queen Anne style of British architecture of the industrial age in the 1870s. Norman Shaw published a book of architectural sketches as early as 1858, and his evocative pen-and-ink drawings began to appear in trade journals and artistic magazines in the 1870s.
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